Pauline Hanson: The Senate Performance Artist | Escalating Political Stunts as Avant-Garde Art What if Australian Senator Pauline Hanson channelled her controversial political persona into provocative, escalating performance art pieces that blur the lines between politics and theatre? This thought experiment explores three 'Acts' of outrage designed to amplify division, nationalism, and anti-'woke' themes live in the Senate Gallery: "Swamped by Symbols" - Using altered Australian flags and props to critique multiculturalism, escalating her infamous 'swamped by Asians' line. "Burqa Bonfire" - A shocking mid-level provocation building on her real-life burqa stunts, incorporating banned slogans and effigies of critics. "Piss Off Pavilion" - The high-octane climax featuring a mock 'border wall,' loyalty tests, and red liquid symbolising 'taxpayer blood,' all risking her expulsion. Watch as we examine how weaponising sh...
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The Car Wash and Knight Manifestation
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The Car Wash and Knight Manifestation poem
The sun painted the sky with hues of blue and white. I thought of the extravagant modifications that made my life. The works of art, engineering marvels and artifacts of glamorous entrepreneurship. My mindfulness is constantly cluttered with style, passion and systemic expectation.
As the roaring of jet-propelled water filled the air, a hush quelled my anxiety. The Knight manifestation had begun. The shroud of my unconscious interconnections was stripped away. The shriek of Holy Land power filled me with awe and admiration.
The awe-inspiring delusion of valour and chivalry captivated and subjugated. They forced me to pay homage to the illustrious past, present and future. The symbols of power and emblems of order. Illustrated through famous battles that fought for our freedom.
History's influence is determined to find its place. Even in the most unexpected places.
The Car Wash and Knight Manifestation YouTube video
Symbols of Power and Emblems of Order poem
The sun painted the sky with hues of blue and white.
I thought of the extravagant modifications that made my life.
The works of art, engineering marvels
And artifacts of glamorous entrepreneurship.
My mindfulness is constantly cluttered.
With style, passion and systemic expectation.
As the roaring of jet-propelled water-filled, an air hush quelled my anxiety.
The Knight manifestation had begun.
The shroud of my unconscious.
My interconnections were stripped away.
The shriek of Holy Land power.
Filled me with awe and admiration.
The awe-inspiring delusion of valour.
And chivalry captivated and subjugated.
They forced me to pay homage.
To the illustrious past, present and future.
The symbols of power and emblems of order.
Illustrated through famous battles.
Those who fought for our freedom.
History's influence is determined to find its place in the most unexpected places.
This artwork is protected by U.S. and International copyright laws. Distribution and/or modification of the artwork without written permission of the sponsor is prohibited.
Situation - The Tempest’s Reflection JB , a spaceship pilot, has been placed into a cryo cocoon to revive and transform his life essence. Inside the cocoon, he experiences his mind as a "relentless tempest of clashing thoughts, swirling and churning, mirroring the furious chaos outside of the machine." JB also sees his older self trapped in the same transitory state. The Storm in my Looking Glass A cinematic close-up of JB’s face behind the curved glass of the cryo-cocoon . The glass reflects not the room but a "relentless tempest" of swirling dark clouds and lightning , symbolising his churning thoughts. In the storm's reflection, a ghostly older version of JB is visible, trapped and silent, mirroring the pilot's current state. Cryogenic Rejuvenation Chamber - Night This trapped specter is the true mirror of our pilot's current, suspended state: a mind caught between two ages, the man he was refusing to be silenced, terrified of the man he is about to ...
The Struggle for Authenticity in Art I want to speak today about authenticity . And about what we quietly give up to be accepted. We’re told that contemporary political art values autonomy . That artists are free. That inquiry sits at the centre of practice. But autonomy, in reality, is often something we *perform*— not something we’re allowed to exercise. Freedom is celebrated rhetorically, while legitimacy is granted only when work conforms to approved languages , approved theories , approved causes . Autonomy isn’t denied outright. It’s curated. This system doesn’t fail artists by accident. It functions mechanically. It rewards work that aligns with predetermined frameworks and filters out work that doesn’t speak the sanctioned dialect . Many voices are excluded not because they lack skill or meaning, but because they refuse to translate their experience into institutionally legible language. I’m not saying all excluded work is good. I am saying much of it is never heard. An...
Creation doesn’t save. Art stabilises. That’s why art continues after belief has died. Not because it promises something— But because consciousness cannot stop itself. The will to create isn’t heroic. It’s involuntary. A reflex. The art of futility A spoken monologue I don’t make art because it matters. I make it because consciousness produces excess. And excess demands release. That’s the first lie we’re taught—that art points toward truth. Truth doesn’t need us. It existed before our gestures and will remain after our silence. Art isn’t revelation. It’s a regulation. An overdeveloped mind can’t remain idle. Thought accumulates. Pressure builds. Expression becomes a discharge—not a message. This isn’t noble. It’s biological. Paintings. Texts. Sounds. Images. All variations of the same maneuver. Not transcendence . Containment . Once you see this, ambition collapses. Influence. Legacy . Relevance. These are metaphysical debts art can no longer pay. The work is finished the mome...
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