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Godliness in Stone

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  Scene 1 It smells like… time down here. Not just damp earth or rot, but something older. A primal scent that’s been waiting in the dark for a millennium. I’m recording this at the bottom of the scar somewhere in the anomaly. In my mind, it's called the Necropolis Gully . My helmet is trying to map it—casting these sterile, digital grids over the moss and the stone—but the data doesn’t make sense. It’s glitching. It’s shuddering against the reality of this place. I don't know why I'm here, looking at ruins. Just... debris. But in the ruins, I found the ghosts of a future that never happened. I was walking over shards of polymerised memories . This was once a city.  It was meant to be the heart of a new world that... simply stopped. It wasn't an engineering failure. It was a failure of existence. Holding that slate, I felt this... weight. The grief of the architect. The "wounds of unbuilt dreams." I realised then that this isn't a graveyard for people. It’...

Wars Lament The Tragedy of Victims

 


Tragedy seeks out vulnerability and inherent worth.
And kindness attracts those positioned to self-consume.
It is in fields of conflict where the virtuous can temporarily inflict dominion.
Whilst claiming righteousness as the essential prize.
And satiate struggle of the empowered over the objectified is given grace.


Advocates of justice and equality are silenced.
Decision-makers entangle themselves in the interconnected web of power and corruption.
Until ethical decisions become inoperable.
And the profound sense of loss and injustice engulfs all victims.
Then calls for action against the objectification and mistreatment of victims fall away.
So that righteousness of victory is systemically ritualised.
And the well-positioned can claim generational status.

War's Lament Video



Flowers, Lightning and Ghosts


Flowers, Lightning and Ghosts Soundtrack













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