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Waiting for inspiration

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Waiting for inspiration The air in a waiting room carries a specific kind of weight, a density that seems to swallow sound. For centuries, artists have tried to capture this heavy, invisible presence. I think of Honoré Daumier , who portrayed the slumped, weary resignation of third-class travellers. He understood that waiting wasn't just sitting; it was an endurance sport. I see that same heavy air, but my era is electrified. The figure on the left isn't just sitting; they are anchored against a storm of data. Their head is buried in their hands, face half-hidden as if they're trying to crawl inside their own mind to escape the silence. The thick, aggressive slashes of orange and gold overhead resemble a visual scream, capturing that internal chaos where your thoughts race at a hundred miles an hour while your body is stuck in a plastic chair. The green glow on their skin adds a cold, modern tension, making the whole scene feel like a pulse vibrating beneath a still surface...

Leadership and the sledge

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McGuire: In fact I reckon we should start the campaign for a one-person slide next year. Caroline Wilson. And I'll put in 10 grand straight away - make it 20. [laughter] And if she stays under, 50. [louder laughter] What do you reckon guys? Who else is up there? I know you're in JB? James Brayshaw: No, yep, Straight in. Danny Frawley: I'll be in amongst it Ed. McGuire: Is Duck there? Wayne Carey: Yes, I'm here mate. [and later] Frawley: I'll actually jump in and make sure she doesn't — I'll hold her under, Ed. McGuire: I reckon we could charge 10,000 for everyone to stand around the outside and bomb her. Damien Barrett: I'm on Caro's side now, Ed. I'm on Caro's side these days, Ed. [indecipherable] McGuire: She'll burn you like everyone else, mate. She's like the black widow. She just sucks you in and gets you and you start talking to her and then bang! She gets you. And then McGuire ends: "It'l...