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When Atoms Reach for Sacred Altars

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  When Atoms Reach for Sacred Altars What do you feel when you touch something sacred? Do you want to touch sacred art? Are we creatures bound by thermodynamics, driven by an instinctual urge to exchange heat, shed skin cells, and mingle our matter with the monuments we revere? To stand before a sacred masterpiece is to experience a gravitational pull—an irresistible desire to collapse the space between subject and object, to leave an oily fingerprint as proof of shared existence.  The gallery border is a social construct attempting to enforce absolute vacuum, forbidding the inevitable entropy of human connection. To reach out anyway is to assert that our physical reality is not separate from the sublime, but bound to it by the very matter we carry on our fingertips. Reaching across that barrier is a quiet rebellion against social decorum: a desperate want for quantum entanglement that collapses the boundary between ideal beauty and our messy, lived reality. Be Creative a...

Leadership and the sledge

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McGuire: In fact I reckon we should start the campaign for a one-person slide next year. Caroline Wilson. And I'll put in 10 grand straight away - make it 20. [laughter] And if she stays under, 50. [louder laughter] What do you reckon guys? Who else is up there? I know you're in JB? James Brayshaw: No, yep, Straight in. Danny Frawley: I'll be in amongst it Ed. McGuire: Is Duck there? Wayne Carey: Yes, I'm here mate. [and later] Frawley: I'll actually jump in and make sure she doesn't — I'll hold her under, Ed. McGuire: I reckon we could charge 10,000 for everyone to stand around the outside and bomb her. Damien Barrett: I'm on Caro's side now, Ed. I'm on Caro's side these days, Ed. [indecipherable] McGuire: She'll burn you like everyone else, mate. She's like the black widow. She just sucks you in and gets you and you start talking to her and then bang! She gets you. And then McGuire ends: "It'l...