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JJFBbennett travels China

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  JJFBbennett travels China A travelogue through transit, urban spaces, and metamodern art. Follow the journey from Darwin into mainland China—spanning flight corridors, local bus routes and the architectural textures of Guangzhou. Blending visual observation, posthuman reflections, and ambient digital art, this series explores mobility, modern landscape, and the hero's journey in transit. Travel serves as the raw material for my digital art, transformed through the lens of experiential video. I approach video recording much like a traditional painter uses charcoal: as an immediate, fluid sketch. Where a static photograph freezes time, a video sketch captures gesture, momentum, light shifts, and the living pulse of an environment. Through editing, video becomes more than a record of movement—it becomes a site of active reflection. It allows me to re-enter the experience, positioning myself within the atmosphere of the place. This process of thinking about thinking—translating raw p...

The Art of Yeee-haw

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  The Art of Yeee-haw Goddamn, let's do a tune called "Hanson Hide," okay?   Goddamn tape's rollin', let's go!   Let's round 'em up!   One, two, three, four! Rollin', rollin', rollin'   Rollin', rollin', rollin'   Keep them Asians movin', movin', movin'   Though they're workin', never complainin'   Don't try to tell me they're not floodin'   We're gettin' swamped! Swamped! SWAMPED! Yippee-yi-yay, burqa in your face!   Yippee-yi-yo-ki-yay, cover up the race!   Hanson hide, yeee-haw! Rollin', rollin', rollin'   Rollin', rollin', rollin'   Keep them Africans out, out, out   They bring disease, that's what she shouts   No refugees, no black South, no doubt   We're gettin' swamped! Swamped! SWAMPED! Yippee-yi-yay, chain-link and hate!   Yippee-yi-yo-ki-yay, keep Australia white!   Hanson hide, yeee-haw! No good Muslims!...

Australian cultural celebrations

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39 years ago today, Gough Whitlam made history by giving land back to Vincent Lingiari and the Gurindji people -- an iconic symbol of reconciliation and the achievements of the land rights movement.  This is a great day for Australia to celebrate. I think this day and this image of Whitlam and Lingiari is as important as any national day Australians celebrates (despite the picture's overtones symbolising the white commander and the black controlled).  There are not many of these types of cultural artefacts  which are outwardly promoted and celebrated as a nation. I believe this day is more important to the Australian cultural fabric than the external war campaigns Australia celebrates (why has the military machine taken over our cultural celebrations? $$ reason to buy more and more war hardware and to increase Australian Federal budget percentage). Australia readily celebrates the colonial past and empire heritage). Why can't this cultural activ...