JJFBbennett

  The Internal Singularity Inside the high-tech cryo-cocoon, JB’s bound body is central, wrapped tightly in shimmering silver nanoweave. His chest cavity is visualised not as flesh, but as a swirling, dark "black hole" singularity, warping the light and space within the pod. Thin, fractured arcs of violet light—representing his remaining anxiety—are being violently sucked into this dark centre, unable to escape the "crushing gravity" of his despair. The lighting is heavy, dark, and oppressive. Be Creative and Innovative with Knowledge John Bennett - AKA JJFBbennett , is an independent artist. You can view and subscribe to my work via  Blogger , YouTube , Flicker , Facebook , Instagram and Deviant Art .  Subscribe to JJFBbennett's private FB hub:  https://www.facebook.com/share/g/18ythpSXPZ/ You can subscribe to my music via  YouTube Music , Spotify , iTunes, Apple Music and Soundcloud To support my art, feel free to donate via JJFBbennett through PayPal...

  Our Psycho-Mythic Descent Here we are Stuck inside this weave You and I Underneath a hum that's ever tightening down, down, down Ever tightening down. Through the glass As if in an ocean Waiting here Always failing to remember who we were, were, were I wonder who we were. You look at me But your eyes are empty In the dark With the silver metal blooming in your mind, mind, mind Blooming in your mind. And the storm Rages on the outside While we sleep Watching all the shattered fragments floating by, by, by Fragments floating by. Here we are Caught inside the amber You and me Leaving all the ghosts of who we used to be, be, be Who we used to be. Be Creative and Innovative with Knowledge John Bennett - AKA JJFBbennett , is an independent artist. You can view and subscribe to my work via  Blogger , YouTube , Flicker , Facebook , Instagram and Deviant Art .  Subscribe to JJFBbennett's private FB hub:  https://www.facebook.com/share/g/18ythpSXPZ/ You can subscribe t...

  The Art of Yeee-haw Goddamn, let's do a tune called "Hanson Hide," okay?   Goddamn tape's rollin', let's go!   Let's round 'em up!   One, two, three, four! Rollin', rollin', rollin'   Rollin', rollin', rollin'   Keep them Asians movin', movin', movin'   Though they're workin', never complainin'   Don't try to tell me they're not floodin'   We're gettin' swamped! Swamped! SWAMPED! Yippee-yi-yay, burqa in your face!   Yippee-yi-yo-ki-yay, cover up the race!   Hanson hide, yeee-haw! Rollin', rollin', rollin'   Rollin', rollin', rollin'   Keep them Africans out, out, out   They bring disease, that's what she shouts   No refugees, no black South, no doubt   We're gettin' swamped! Swamped! SWAMPED! Yippee-yi-yay, chain-link and hate!   Yippee-yi-yo-ki-yay, keep Australia white!   Hanson hide, yeee-haw! No good Muslims!...

  The Ayes Have It (But She Don't) Everybody knows the bill is dead Everybody knows the Senate’s red Everybody knows the deal is done The major parties had their fun The crossbench bargains were all just show The whips have cracked, the whistle’s blowed That’s how it goes And Hanson always votes no. Everybody knows the bells are ringing Everybody knows the mud they’re slinging Everybody knows the clerk can’t count With all the grievances they mount Everybody knows that the motion’s lost Everybody knows what the lobby cost The Ayes go high, the chamber’s low And Hanson always votes no. And everybody knows that it’s now or never Everybody knows that it’s gonna take forever Everybody knows that the act is rotten Old amendments best forgotten Everybody knows the tellers move With nothing left for them to prove The red room puts on quite a show But Hanson always votes no. Everybody knows the maiden speech The lessons that she tried to teach About the fish and about the chips And the tig...

  Scene 1 In the cradle of copper veins, where the first byte flickered like a eucalyptus firefly against the millennial dusk of 2000, threads uncoiled—raw and unbidden, a post-punk snarl weaving through the static hum of dial-up dreams. Imagine the snare drum's ghost-crack echoing off Uluru's red flanks , not as a conquest but as a lover's bruise, blooming violet under star-pricked skin. Here, rebellion wasn't a fist raised in Canberra's marbled halls but a glitch in the grid . A Laughing Clowns howl warping the airwaves, sonic annotation—jagged guitar riffs splintering into didgeridoo drones , fading to the hiss of cooling circuits. The wire remembers: a young voice, pixels pulsing with the fury of forgotten tapes, cassette ribbons unravelling like the Murray-Darling 's parched secrets, whispering of bans that bind not bodies but bytes, burqas woven into neural lace, veils pleading for the light they obscure. Be Creative and Innovative with Knowledge Jo...

  The art of Capital I stand here today as an artist, yes, but first, as a laborer. And my studio? It's not a free space. It’s a nexus, a battlefield where the abstract force of constant capital meets the blunt reality of cultural control. They call it a free market. I call it a systematic monopoly over the means of production. You think canvas and paint are the means? No. Those are relics. The real infrastructure—the essential, invisible currency—is visibility, validation, and market access. A tiny, elite constellation of galleries, auction houses, and institutions holds a chokehold on these channels. They deploy their massive capital to secure their monopoly, thereby expropriating our economic autonomy. They don't just set the price; they set the very terms of cultural existence. The outcome is the proletarianization of the creator . We are forced to sell our labour power—our very souls, our insight—back into a system that ensures capitalist domination. Our creativity become...