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The infected touching antiquity

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  The infected touching antiquity Do you feel divinity when you touch antiquity? Metamodernist art by JJFBbennett Stand before a marble relic, and you find yourself at the threshold of contact. The museum enforces detachment. Do you feel the decay and contamination your hands carry? But what happens when your flesh touches ancient stone? To reach out is an act of somatic friction. Our mortal residue, sebaceous oils and living warmth, ruptures the sterile illusion of the untainted idol. We drag the pristine monument down into the mess of human mortality. Yet, the instinct to touch is an innate longing for connection. Laying bare skin against ancient form collapses millennia, sparking a euphoric link to what came before. Touch restores, renews, and opens an otherworldly portal beyond everyday perception. Touching antiquity infects its distant divinity with our decay, but in that very transgression, it bridges the void—granting the seeker genuine transport into transcendent awe. Marks...
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Your Life Your Persona

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  Your Life, Your Persona video What has shaped your life and persona? What holds you within yourself? Known unknowns. Known knowns. The enduring impact of your past experiences. The want of freedom and self-captivity.               JJFBbennett https://jjfbbennett.taplink.ws/ John Bennett - AKA JJFBbennett, is an independent artist. You can subscribe to JJFB's work via Blogger , YouTube , Flicker , Facebook , Instagram and Deviant Art .  To support his art creation, you can sponsor JJFBbennett through PayPal or a subscription via Patreon here . If you want to acquire JJFB's art creations as an NFT - John's Opensea NFT profile is https://opensea.io/JJFBbennett   Be Creative and Innovative with Knowledge Copyright This artwork is protected by U.S. and International copyright laws. Distribution and/or modification of the artwork without written permission of the sponsor is prohibited.
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Godin Equilibrium

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I woke up this morning and I felt a pain in my brain. It was like all had changed and all will continue to change. Nothing was left as the same. And in this remorse I was the only one who  knew. I just can't  believe it,   no-one would believe  in what I had to say. So I yelled hard and long about all the injustices that has occurred. I stomped my feet hard to the ground. I punched through  the air to sporn my stance of knowing . I spat deceit at society. But no one knew for me and no-one wanted the goodness within my heart. I became increasing alone. In this life I can grasp the future. I see visions of what's it's to be. Messages  decrypt and whisper their intent to me. I cannot find my way to you. The more I warn the more you ignore me. The greater the detail the less you want to know. I began to hate you. Where can I cry with my love watching over me? When can I celebrate  when everything I state eventually unravels int...
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Darwin street on a motorcycle: Rapid Creek Intersection

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If only intersections in life were as simple. Rule regimentation and certainty of course. But you know that I know, and I know that you know, this passage is about unknowns. The passage is not free, but it is? The passage is directed by unconscious decision making. -STOP- Cars = 1 ton of death It is about time, space and particles smashing. Each particle a death note. The intersection is seemingly passive, under the control of purpose. When error occurs it's a death intersection. If it is so hard to see danger in this intersection, how is it possible within a point in life.
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Australian cultural celebrations

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39 years ago today, Gough Whitlam made history by giving land back to Vincent Lingiari and the Gurindji people -- an iconic symbol of reconciliation and the achievements of the land rights movement.  This is a great day for Australia to celebrate. I think this day and this image of Whitlam and Lingiari is as important as any national day Australians celebrates (despite the picture's overtones symbolising the white commander and the black controlled).  There are not many of these types of cultural artefacts  which are outwardly promoted and celebrated as a nation. I believe this day is more important to the Australian cultural fabric than the external war campaigns Australia celebrates (why has the military machine taken over our cultural celebrations? $$ reason to buy more and more war hardware and to increase Australian Federal budget percentage). Australia readily celebrates the colonial past and empire heritage). Why can't this cultural activ...
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