Posts

Showing posts from April, 2009

Most recent post

The Metamodern Smudge: Seeing Growth on the Frame

-
Image
  The Metamodern Smudge: Seeing Growth on the Frame My use of the phrase "Fingerprint on the frame" functions as a metamodernist artifact. From my perspective, metamodernism oscillates between modernist sincerity and postmodern irony, and this concept sits precisely at that intersection. It recognises that the artwork within the frame is a construction, while also valuing the human touch that created it. More than just recognition, it is the fundamental identifier.  In this space, the smudge is not just an artistic signature; it is a map of personal growth. It reveals the traces of our experiences and the impact of our interactions with the world around us. The transparency of glass symbolises the invisible cultural conditions that shape our perspectives, allowing us to see through to the complex realities that influence our creativity and expression. This interplay creates a deeper understanding of both the art and the artist, acknowledging that every mark left behind tells ...
Post a Comment
Read more

Anzac Day supports our continual efforts of invasion.

-
Image
--> ANZAC Day has ceased to be a day where we commit to 'never again'. Anzac Day has become a shallow glorification of Australia's capacity to make war. It is a celebration of Australia's capacity of invasion. In contemporary multicultural Australia Anzac Day is appearing as the last stand of our mono-cultural past. ANZAC Day should be a remembrance for the futility of war and to support efforts towards a pacifist Australia. It should not be employed by sporting leagues as a selling point to enable blockbusting displays of digger fortitude and bravery. Anzac Day is a celebration of protection, but what did the Anzacs protected us from? Who would have invaded Australia had Australia. What would have changed in Australia if we had not sent our military to Europe to be slaughtered. Why doesn't the bombing of Darwin gain more attention if Anzac Day is about the brave who stands by his mate? Anzac Day has moved from the regret of war to a he...
Post a Comment
Read more

Bill Henson is Innocence

-
Image
Bill Henson is innocence I recently received an Art Monthly (Australia) April 2009 edition as a present. Whilst in the past I collected and read such publications avidly I now read them only by chance. Interestingly in the edition there is an article by Paul Rapoport on a book by David Marr about Bill Henson the photographer. Bill Henson has been a controversial artist not because of any overt behavior but because of his subjects and how he portrays his subjects. The subjects are pubescent boys and girls and their portrayal is both sensual and interpreted sexuality. Bill Henson's photographs are well supported by the 'cultured elite' and by state and federally funded galleries. The issues are; Henson does poach his subjects from primary schools for a photo shoot and the Prime Minister described one of his nude pubescent girls as 'absolutely revolting'. The article defends both issues. The primary school poaching was dismissed as a 'fear-mongering fabricati...
Read more