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Artists Who Stare

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  Artists who Stare into their Creative Self Vignette There is a reckoning in the soul of every artist. It begins as a tremor, a flicker of light, almost imperceptible, yet relentless in hunger. That precise moment when the artist is alone, silhouetted against the radiance of an internal inferno and stares unflinchingly into their creative self. They dwell in the space between inspiration and doubt, bathed in the glow of possibilities and tormented by the fear of mediocrity. To exceed the ordinary, the artist knows, is both a blessing and a curse. Each touch, each word, each act of creation becomes a paradox: an offering to eternity but rooted in the fleeting frailty of the present. What if they fail? What if the light within, so achingly bright, burns them to ash rather than illuminating their path? The act of creation is no longer a choice; it has become a necessity. There is no turning back. Like a lone figure before the furnace of their own making, the artist surrenders to the ...

Anzac Day supports our continual efforts of invasion.

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--> ANZAC Day has ceased to be a day where we commit to 'never again'. Anzac Day has become a shallow glorification of Australia's capacity to make war. It is a celebration of Australia's capacity of invasion. In contemporary multicultural Australia Anzac Day is appearing as the last stand of our mono-cultural past. ANZAC Day should be a remembrance for the futility of war and to support efforts towards a pacifist Australia. It should not be employed by sporting leagues as a selling point to enable blockbusting displays of digger fortitude and bravery. Anzac Day is a celebration of protection, but what did the Anzacs protected us from? Who would have invaded Australia had Australia. What would have changed in Australia if we had not sent our military to Europe to be slaughtered. Why doesn't the bombing of Darwin gain more attention if Anzac Day is about the brave who stands by his mate? Anzac Day has moved from the regret of war to a he...