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The Art of the Damned

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  The Art of the Damned The current gallery system functions as a modern dam built right at the headwaters of artistic creation. The headwaters are the raw, bubbling springs high in the mountains—wild, uncontainable, fed by countless small tributaries of individual vision, experimentation, failure, intuition, and obsession. This is where most serious art actually begins: in studios, bedrooms, sketchbooks, late-night arguments, personal crises, and private obsessions, long before any curator or collector ever hears a name. Once a handful of major galleries, institutions, auction houses, and their allied gatekeepers (collectors, critics, fair directors, residency programs) gain decisive influence over those headwaters—deciding which artists get early solo shows, which receive press, which enter the "right" conversations, which are anointed with blue-chip representation—they effectively place the dam. From that point forward: The flow of visibility, legitimacy, money, and audien...

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Like the god industry, our failure is in our image making
Recruitment to our image has been our detriment
Our cultural enterprise is lost in its image
We have fallen into our own reflection
And we will eventually drown in this manifestation
Without encouraging  dissent our story won't end well

In this event of self-normalisation
Unconscious bias flourishes.
Legacies gain strength
Bags become heavier
Until it is only what we believe is what we see

Without questioning nothing is gained
No creativity
No innovation
No transformation
No step forward
Incremental stagnation clogs our veins
Clogs our will
Clogs our want

The at-hand-problem is to enable thinking
Within the individual
Within the family
Within the school
Within the community
Within the organization
Within the nation
Within bilateral partnerships

Question held assumptions
Consider potential alternatives
Experiment to realise solutions
Do not exclude
How we think will decide and action our future


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