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The Art of the Damned

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  The Art of the Damned The current gallery system functions as a modern dam built right at the headwaters of artistic creation. The headwaters are the raw, bubbling springs high in the mountains—wild, uncontainable, fed by countless small tributaries of individual vision, experimentation, failure, intuition, and obsession. This is where most serious art actually begins: in studios, bedrooms, sketchbooks, late-night arguments, personal crises, and private obsessions, long before any curator or collector ever hears a name. Once a handful of major galleries, institutions, auction houses, and their allied gatekeepers (collectors, critics, fair directors, residency programs) gain decisive influence over those headwaters—deciding which artists get early solo shows, which receive press, which enter the "right" conversations, which are anointed with blue-chip representation—they effectively place the dam. From that point forward: The flow of visibility, legitimacy, money, and audien...
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My Favourite Image of the Week 008

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Katsushikahokusai.org 

This is not me, but I know I am there
With similar wants and needs
I am there every day
Which ever context the terrain manifests
I control my knowing of good fortune and my acknowledgement of existence

There will only ever be now
Put your best thought forward
Let it enrich your presence
Be your endeavor
Make meaning

Make your own history to strive forward
Understand and plan yesterday's circumstances
Make the already a given
What was then the past, will be the fabrication of now
Put aside the fragrant whispers, the promises of new
Your game is determined by your placement
Your unique contribution is determined by this context
Your now is your past in disguise
Forever borrowing, the language of sense making is reliant on yesterday's understanding
What is done today was created yesterday and will determine  tomorrow





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