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The Art of the Damned

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  The Art of the Damned The current gallery system functions as a modern dam built right at the headwaters of artistic creation. The headwaters are the raw, bubbling springs high in the mountains—wild, uncontainable, fed by countless small tributaries of individual vision, experimentation, failure, intuition, and obsession. This is where most serious art actually begins: in studios, bedrooms, sketchbooks, late-night arguments, personal crises, and private obsessions, long before any curator or collector ever hears a name. Once a handful of major galleries, institutions, auction houses, and their allied gatekeepers (collectors, critics, fair directors, residency programs) gain decisive influence over those headwaters—deciding which artists get early solo shows, which receive press, which enter the "right" conversations, which are anointed with blue-chip representation—they effectively place the dam. From that point forward: The flow of visibility, legitimacy, money, and audien...
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Godin Threat

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The lessons of history are written by vested interests
Where you placed your foot
And which information you are were willing to consume

That's fantastic, you were in control of something 
But it changed
Goodbye profitable time
Reflect on what could have been
What did you learn from the missed opportunity
Now gain control by sponsoring the change 

Along came a spider 
How do you digest a threat?

You were right here
Now you are nowhere to be seen
You have become the product
And now your worth depends on your response

Put your hands on your head
On your knees
On your eyes
Did that make you feel better?
Did you feel safer

Rate your happiness
Knowing that the spider is inside
One to five stars











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