The Struggle for Authenticity in Art I want to speak today about authenticity . And about what we quietly give up to be accepted. We’re told that contemporary political art values autonomy . That artists are free. That inquiry sits at the centre of practice. But autonomy, in reality, is often something we *perform*— not something we’re allowed to exercise. Freedom is celebrated rhetorically, while legitimacy is granted only when work conforms to approved languages , approved theories , approved causes . Autonomy isn’t denied outright. It’s curated. This system doesn’t fail artists by accident. It functions mechanically. It rewards work that aligns with predetermined frameworks and filters out work that doesn’t speak the sanctioned dialect . Many voices are excluded not because they lack skill or meaning, but because they refuse to translate their experience into institutionally legible language. I’m not saying all excluded work is good. I am saying much of it is never heard. An...
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Cultural Calvinist & Art Books must embrace 21st Century Technologies
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Art Books must embrace 21st Century Technologies
Q. What happened to post modernism?
A. It became Culture Calvinist.
Q. What has General Motors and Art got in common?
A. They both require ongoing government support, they make things people do not want and they peaked in the 20th Century.
Jamie Campin’s Weekend Australian’s Review article “Keep writhing about art – Art books must survive in this age of visual noise” is a casing point of meaningless relevance and dislocated authority. His points are;
• Society requires the authority of taste-makers.
• Unless the image makes the grade it is just noise.
Image noise brought to you by; twitpic, flickr, photobucket, picasa and tinypic can be overwhelming in quantity and qualities. The technologies are new and are used by many. Perhaps there is something in the sayings ‘if you can’t beat them join them’. Dell recently announced that it surpassed $3 million in sales via links from one of its Twitter accounts.
Getty Images, the world’s largest distributor of still imagery, has teamed up with Flickr to sell pictures from Flickr via gettyimages. The site www.gettyimages.com/flickr is titled Photography with a fresh perspective.
Technologogy & the future of the Book
It seems that the Culture Calvinist taste-makers are still locked in the 20th Century paradigm – that being their glory period when money was to be made via proprietary owned technologies and pushed out by a network of ‘trusted’ bookshops. Today it is freely accessed technology accessed via any internet connection.
Taste-makers need to become innovative if they are to survive the 21st Century. There is no use quoting Oscar Wide ‘Life imitates art far more than art imitates life’ or Picasso ‘Art is a lie that makes us realise truth’.
The 21st century requires its own contextualised statements, not of the ‘Western European Genius’ from past millennia. Our starting point for this millennium is a connected global society. What are our statements – could it be something like ‘Art being AnyTechnology, AnyWhere, AnyTime and AnyPlace’?
Telephone - will never catch on
• Jamie blames Amazon for ‘devaluing books in the minds of consumers’.
• Jamie blames technology; ‘anyone can publish a book via inexpensive technology’. I presume this could be the internet.
• Jamie also states that this technology ‘makes most products more uniform’ where as ‘printing technology can show an art’s strength’.
The internet technology is non-linear, multi-sensory and interactive. This technology would benefit the performing arts, installation and 3D art as well as conceptual art. Jamie is ignorant of 21st Century possibilities and conveys the innovative insights of a document locked in a filing cabinet. Get out of the Black Box! The internet technologies are better suited to the arts than a book. A book’s heriatge is of locked-up and frustrated monasteries. The barbarians have truly taken over. The Churches feared the printing press and the Cultural Calvinists fear the internet. The taste-makers need to embrace the new technologies or become a museum feature just as the Australian newspaper slips from a daily to a weekly to a monthly. Become more innovative like Dell and Getty Images companies. In other words get off the couch, stop whinging and do something new. Stop being a Cultural Calvinist become a Cultural Innovator.
IBM innovation - just do it
The Situation - Red Alert JB , a middle-aged mail spaceship pilot . Starship piloting JB is held not by ropes, but by the cryo-unit's nanoweave swaddle —a tight, absolute embrace mimicking paranoiac wrappings. This material presses against him, preventing his shivering flesh from flying apart under the centrifugal force of his panic. He feels a cold burn and constant helplessness sinking in. His anxiety is a crimson klaxon , a "relentless tempest" of warring thoughts. He is mentally back in the cockpit, but the instruments scream in an alien language; every light and warning signifies impending failure. His pure instinct screams ABORT , yet there is no escape route. Confrontation Rising JB is shown the war of impulses tearing him apart—the "lunge and the retreat". His existence is reduced to the strained gasp: "I live for fucks sake, I don't know.” Full Assault a Violet Firestorm JB responds with explosive, automatic violence, his lungs burning from ...
The hand that holds the glamour Between the flick of a lighter and the curl of smoke lies a story told in two parts: the hand that holds the glamor, Between the flick of a lighter and the curl of smoke lies a story told in two parts: the hand that holds the glamor, and the eye that chooses to believe it. The art of the obscure and meaningless In the realm of modernist art , exemplified by Eddie's deliberate embrace of abstraction and mystery , artists have increasingly surrendered their authoritative power of intent to a veil of meaningless vagueness, compelling viewers to co-create meaning from fragmented suggestions rather than receiving a clear, directive vision. Her scalpel-wielded dissections—such as her perforated self-portraits or obscured war images—eschew explicit communication in favour of elusive hints, as she professed a desire to remain "mysterious" and avoid revelation, thereby shifting the burden of interpretation onto the audience in a pseudo-spiritual a...
Situation - The Tempest’s Reflection JB, a spaceship pilot, has been placed into a cryo cocoon to revive and transform his life essence. Inside the cocoon, he experiences his mind as a "relentless tempest of clashing thoughts, swirling and churning, mirroring the furious chaos outside of the machine." JB also sees his older self trapped in the same transitory state. The Storm in my Looking Glass A cinematic close-up of JB’s face behind the curved glass of the cryo-cocoon. The glass reflects not the room but a "relentless tempest" of swirling dark clouds and lightning, symbolising his churning thoughts. In the storm's reflection, a ghostly older version of JB is visible, trapped and silent, mirroring the pilot's current state. Cryogenic Rejuvenation Chamber - Night This trapped specter is the true mirror of our pilot's current, suspended state: a mind caught between two ages, the man he was refusing to be silenced, terrified of the man he is about to beco...
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