This ring is the disparity portal What are our cognitive struggles? Metamodernist art by JJFBbennett The glass ring doesn't just divide the canvas; it bridges two entirely different eras of the soul. Look to the left. You see that heavy, anxious abstract expressionism—thick, turbulent strokes of purple and white paint colliding in a chaotic swirl. It’s the noise of modern anxiety, the visceral weight of our internal cognitive struggles. But follow the curve of the glass to the right, and the world opens up into an almost naive, idyllic landscape. Soft green hills, a quiet, winding river, and a pastoral peace that feels like a memory of a place we’ve never actually been. It’s intentionally a bit ironic, a bit nostalgic—a digital dream of simplicity. This ring is the disparity portal itself. It is a lens balancing on the fine line of metamodernism, suspended between cynical detachment and sincere hope. And if you look closely right there on the upper-left curve of the glass, I left...
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Cultural Calvinist & Art Books must embrace 21st Century Technologies
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Art Books must embrace 21st Century Technologies
Q. What happened to post modernism?
A. It became Culture Calvinist.
Q. What has General Motors and Art got in common?
A. They both require ongoing government support, they make things people do not want and they peaked in the 20th Century.
Jamie Campin’s Weekend Australian’s Review article “Keep writhing about art – Art books must survive in this age of visual noise” is a casing point of meaningless relevance and dislocated authority. His points are;
• Society requires the authority of taste-makers.
• Unless the image makes the grade it is just noise.
Image noise brought to you by; twitpic, flickr, photobucket, picasa and tinypic can be overwhelming in quantity and qualities. The technologies are new and are used by many. Perhaps there is something in the sayings ‘if you can’t beat them join them’. Dell recently announced that it surpassed $3 million in sales via links from one of its Twitter accounts.
Getty Images, the world’s largest distributor of still imagery, has teamed up with Flickr to sell pictures from Flickr via gettyimages. The site www.gettyimages.com/flickr is titled Photography with a fresh perspective.
Technologogy & the future of the Book
It seems that the Culture Calvinist taste-makers are still locked in the 20th Century paradigm – that being their glory period when money was to be made via proprietary owned technologies and pushed out by a network of ‘trusted’ bookshops. Today it is freely accessed technology accessed via any internet connection.
Taste-makers need to become innovative if they are to survive the 21st Century. There is no use quoting Oscar Wide ‘Life imitates art far more than art imitates life’ or Picasso ‘Art is a lie that makes us realise truth’.
The 21st century requires its own contextualised statements, not of the ‘Western European Genius’ from past millennia. Our starting point for this millennium is a connected global society. What are our statements – could it be something like ‘Art being AnyTechnology, AnyWhere, AnyTime and AnyPlace’?
Telephone - will never catch on
• Jamie blames Amazon for ‘devaluing books in the minds of consumers’.
• Jamie blames technology; ‘anyone can publish a book via inexpensive technology’. I presume this could be the internet.
• Jamie also states that this technology ‘makes most products more uniform’ where as ‘printing technology can show an art’s strength’.
The internet technology is non-linear, multi-sensory and interactive. This technology would benefit the performing arts, installation and 3D art as well as conceptual art. Jamie is ignorant of 21st Century possibilities and conveys the innovative insights of a document locked in a filing cabinet. Get out of the Black Box! The internet technologies are better suited to the arts than a book. A book’s heriatge is of locked-up and frustrated monasteries. The barbarians have truly taken over. The Churches feared the printing press and the Cultural Calvinists fear the internet. The taste-makers need to embrace the new technologies or become a museum feature just as the Australian newspaper slips from a daily to a weekly to a monthly. Become more innovative like Dell and Getty Images companies. In other words get off the couch, stop whinging and do something new. Stop being a Cultural Calvinist become a Cultural Innovator.
IBM innovation - just do it
There is a Disparity in My Light: Navigating the Split Creative Consciousness Introduction - Does Metamodernism Oscillate? Clarity, I've learned, doesn't guarantee a smooth landing. While the core recalibration manages our internal mechanics, we eventually have to look back out the window and confront the final destination. For many creators navigating major life transitions or complex technical boundaries, this shift introduces an unsettling inner divide. The anatomy of disparity in creative practice is the psychological friction of a split being—standing physically present in a new space while your internal pace is still trying to catch up with the velocity of your transition. When we widen our creative intent, we often slice our universe in half: balancing cold, geometric clarity on one side against the messy, vibrant residue of personal regret on the other. Rather than forcing these halves to blend, we must learn to treat this exact contrast as our personalised map. Geom...
What is the Disparity Portal? A Metamodernist Commentary by artist JJFBbennett Portrait of a Metamodernist Artist If you stepped through the glass ring, which version of yourself would look back? A metamodernist discussion by artist JJFBbennett. A calm young man with wavy, dark cerulean-blue hair and a subtle smile stands perfectly centred inside a massive glass ring portal. He wears a simple light blue long-sleeved shirt. Behind his head, an intense golden sunburst radiates sharp, blinding rays. To his left are thick purple impasto swirls; to his right is a serene green valley painting. High-detail digital art, metamodern, surreal masterpiece. The Churn of the Unmade Look at the left side of the canvas. It isn’t just paint; it’s the heavy, exhausting gravity of pure affectation. I applied these deep purples and stark whites with a thick palette knife, wanting you to feel the weight of the medium itself—the messy, chaotic over-saturation of our digital lives, the constant noise. I...
Image to be added - watch this space My Psychological Landscape: A Speculative Ecology of the Stratosphere Introduction What is Terrestrial Control? What is Stratospheric Flow? Image to be added - watch this space The transition from the terrestrial to the atmospheric is rarely just a matter of mechanics; it is a profound undoing of the architectural ego. We board our vessels encased in the comforting math of engineering, believing we are merely shifting a physical mass from one geographical coordinate to another. But at a certain altitude, the boundary between the internal theatre of the mind and the external expanse of the world begins to fray. As the metal hull and the quiet murmurs of the cabin dissolve, I am no longer just travelling through the sky; I am becoming a part of it. Stepping directly into the stratosphere, the heavy, churning clouds of deep teals and bruised indigos cease to be merely a reflection of my psychological landscape—they reveal the fluid, boundle...
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