The Ayes Have It (But She Don't) Everybody knows the bill is dead Everybody knows the Senate’s red Everybody knows the deal is done The major parties had their fun The crossbench bargains were all just show The whips have cracked, the whistle’s blowed That’s how it goes And Hanson always votes no. Everybody knows the bells are ringing Everybody knows the mud they’re slinging Everybody knows the clerk can’t count With all the grievances they mount Everybody knows that the motion’s lost Everybody knows what the lobby cost The Ayes go high, the chamber’s low And Hanson always votes no. And everybody knows that it’s now or never Everybody knows that it’s gonna take forever Everybody knows that the act is rotten Old amendments best forgotten Everybody knows the tellers move With nothing left for them to prove The red room puts on quite a show But Hanson always votes no. Everybody knows the maiden speech The lessons that she tried to teach About the fish and about the chips And the tig...
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The Unseen Shadows
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In The Unseen Shadows, the viewer is presented with a thought-provoking exploration of the psychological inter-relationship of creativity. This artwork delves into the role of subconscious emotional traits as a catalyst for malevolent creativity, shedding light on the unseen shadows that can influence our positioning to enact creativity.
The portrait that emerges from this is both compelling and paradoxical. On the one hand, creativity is often celebrated for its positive impact, but on the other hand, it can also be shrouded in malevolent shadows. The artwork seeks to correlate the inferences between powerful and regressive symbols of harmful creativity with cognitive and motivational facets of the grip fueled by creativity's darker side. The intricate dance of shadows draws on Plato's cave allegory, with oppression acting as a distorted puppeteer that can cast a veil of gloom over our cognitive impulses.
The emotional aspects can cast a unique shadow by continually adding layers of complexity. Although the intention offers insights, they are layered with limitations. Like Plato's chained prisoners, our view of reality can be obscured, and self-reported measures can lead to potential self-restrictions. The complexity of the artwork's surface emphasises the possible inclusion of other puppeteers, their personality traits and imposed environmental factors. At its core, The Unseen Shadows postulates a cyclical relationship that fosters imposition and malevolent creativity, and how each exacerbates the other into a perpetual dance of semi-transparent shadows.
This work aligns with and extends the broader collection of my previous psychological portraits, emphasising the transformative influence of even the subtlest strokes of containing human behaviour. Overall, The Unseen Shadows is a sobering reminder that strategic hooks can profoundly impact our creative impulses, casting a gloomy veil over others and restricting our ability to see the world outside of our fabricated cave. Breaking free from this cycle of shadows is crucial to unlocking the full potential of our creativity and leading fulfilling lives.
This artwork is protected by U.S. and International copyright laws. Distribution and/or modification of the artwork without written permission of the sponsor is prohibited.
Scene 1 In the cradle of copper veins, where the first byte flickered like a eucalyptus firefly against the millennial dusk of 2000, threads uncoiled—raw and unbidden, a post-punk snarl weaving through the static hum of dial-up dreams. Imagine the snare drum's ghost-crack echoing off Uluru's red flanks , not as a conquest but as a lover's bruise, blooming violet under star-pricked skin. Here, rebellion wasn't a fist raised in Canberra's marbled halls but a glitch in the grid . A Laughing Clowns howl warping the airwaves, sonic annotation—jagged guitar riffs splintering into didgeridoo drones , fading to the hiss of cooling circuits. The wire remembers: a young voice, pixels pulsing with the fury of forgotten tapes, cassette ribbons unravelling like the Murray-Darling 's parched secrets, whispering of bans that bind not bodies but bytes, burqas woven into neural lace, veils pleading for the light they obscure. Be Creative and Innovative with Knowledge Jo...
Chrysalis This isn’t a tomb It’s a chrysalis . We aren’t being buried We’re being rewritten. Be Creative and Innovative with Knowledge John Bennett - AKA JJFBbennett , is an independent artist. You can view and subscribe to my work via Blogger , YouTube , Flicker , Facebook , Instagram and Deviant Art . Subscribe to JJFBbennett's private FB hub: https://www.facebook.com/share/g/18ythpSXPZ/ You can subscribe to my music via YouTube Music , Spotify , iTunes, Apple Music and Soundcloud To support my art, feel free to donate via JJFBbennett through PayPal If you want to acquire JJFB's art creations as an NFT - John's Opensea NFT profile is https://opensea.io/JJFBbennett Copyright This artwork is protected by U.S. and International copyright laws . Distribution and/or modification of the artwork without the written permission of the sponsor is prohibited.
The Metallic Bloom "It starts on the back of my tongue. A cold, sharp tang of copper... like biting down on a gun barrel. Then... it detonates. It’s not a scream—it’s a jagged, violent bloom tearing through my throat. Shards of silver... iron... and rust. I am no longer a man... just a dark silhouette exploding into shrapnel. The panic is absolute." The Metallic Bloom video-poem It starts on the back of my tongue. A cold, sharp tang of copper— Like biting down on a gun barrel. Then… It detonates. It isn’t a scream. It’s a jagged, violent bloom Tearing through my throat. Shards of silver. Iron. Rust. I am no longer a man— Just a dark silhouette Xxploding into shrapnel. My body isn’t mine anymore. My voice isn’t mine anymore. The panic is absolute. Be Creative and Innovative with Knowledge John Bennett - AKA JJFBbennett , is an independent artist. You can view and subscribe to my work via Blogger , YouTube , Flicker , Facebook , Instagram and Deviant Art ....
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