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Godliness in Stone

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  Scene 1 It smells like… time down here. Not just damp earth or rot, but something older. A primal scent that’s been waiting in the dark for a millennium. I’m recording this at the bottom of the scar somewhere in the anomaly. In my mind, it's called the Necropolis Gully . My helmet is trying to map it—casting these sterile, digital grids over the moss and the stone—but the data doesn’t make sense. It’s glitching. It’s shuddering against the reality of this place. I don't know why I'm here, looking at ruins. Just... debris. But in the ruins, I found the ghosts of a future that never happened. I was walking over shards of polymerised memories . This was once a city.  It was meant to be the heart of a new world that... simply stopped. It wasn't an engineering failure. It was a failure of existence. Holding that slate, I felt this... weight. The grief of the architect. The "wounds of unbuilt dreams." I realised then that this isn't a graveyard for people. It’...
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Ghosts of Memories Past

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When you look at this portrait of a man who has been purposely demonized, you may find that your own personal biases and historical distortions come into play. How you interpret his sombre features and haunting eyes may be tainted by your own experiences and the childhood and adult stories you've been told and seen about this type of person. As you look at the portrait, you may see a villain or a victim, depending on your biases and preconceptions. This means the picture is not just a static image but an intended reflection to trigger your attitudes and memories. The portrait's purpose is to remind us how media can call on imprinted memory to influence how we see and understand others.

Ghosts of Memories Past Video


The portrait depicts a demonized man.

Personal biases and historical distortions may come into play when viewing the portrait.

Personal experiences and stories may influence the interpretation of the man's features.

Some may see the man as a villain, while others may see him as a victim.

The portrait is not just a static image but is intended to trigger attitudes and memories.

The purpose of the portrait is to remind us of how media can influence how we see and understand others.

Personal biases and preconceptions can impact our interpretation of the portrait.

The man's sombre features and haunting eyes may elicit different emotions from viewers.

The portrait is a reflection of our attitudes and memories.

The media can call on imprinted memory to influence how we perceive others.

The portrait is an example of how art can convey a message.

We must be aware of our biases and preconceptions when interpreting art.









John Bennett - AKA JJFBbennett is an independent artist. You can subscribe to JJFB's work via Blogger, YouTube, Flicker, Facebook, Instagram and Deviant Art. 

If you want to support his art creation, you can sponsor JJFBbennett through PayPal here or a subscription via Patreon here.

If you want to acquire JJFB's art creations as an NFT - John's Opensea NFT profile is https://opensea.io/JJFBbennett  

Copyright

This artwork is protected by U.S. and International copyright laws. Distribution and/or modification of the artwork without written permission of the sponsor is prohibited.

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