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Waiting for inspiration

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Waiting for inspiration The air in a waiting room carries a specific kind of weight, a density that seems to swallow sound. For centuries, artists have tried to capture this heavy, invisible presence. I think of Honoré Daumier , who portrayed the slumped, weary resignation of third-class travellers. He understood that waiting wasn't just sitting; it was an endurance sport. I see that same heavy air, but my era is electrified. The figure on the left isn't just sitting; they are anchored against a storm of data. Their head is buried in their hands, face half-hidden as if they're trying to crawl inside their own mind to escape the silence. The thick, aggressive slashes of orange and gold overhead resemble a visual scream, capturing that internal chaos where your thoughts race at a hundred miles an hour while your body is stuck in a plastic chair. The green glow on their skin adds a cold, modern tension, making the whole scene feel like a pulse vibrating beneath a still surface...
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Ghosts of Memories Past

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When you look at this portrait of a man who has been purposely demonized, you may find that your own personal biases and historical distortions come into play. How you interpret his sombre features and haunting eyes may be tainted by your own experiences and the childhood and adult stories you've been told and seen about this type of person. As you look at the portrait, you may see a villain or a victim, depending on your biases and preconceptions. This means the picture is not just a static image but an intended reflection to trigger your attitudes and memories. The portrait's purpose is to remind us how media can call on imprinted memory to influence how we see and understand others.

Ghosts of Memories Past Video


The portrait depicts a demonized man.

Personal biases and historical distortions may come into play when viewing the portrait.

Personal experiences and stories may influence the interpretation of the man's features.

Some may see the man as a villain, while others may see him as a victim.

The portrait is not just a static image but is intended to trigger attitudes and memories.

The purpose of the portrait is to remind us of how media can influence how we see and understand others.

Personal biases and preconceptions can impact our interpretation of the portrait.

The man's sombre features and haunting eyes may elicit different emotions from viewers.

The portrait is a reflection of our attitudes and memories.

The media can call on imprinted memory to influence how we perceive others.

The portrait is an example of how art can convey a message.

We must be aware of our biases and preconceptions when interpreting art.









John Bennett - AKA JJFBbennett is an independent artist. You can subscribe to JJFB's work via Blogger, YouTube, Flicker, Facebook, Instagram and Deviant Art. 

If you want to support his art creation, you can sponsor JJFBbennett through PayPal here or a subscription via Patreon here.

If you want to acquire JJFB's art creations as an NFT - John's Opensea NFT profile is https://opensea.io/JJFBbennett  

Copyright

This artwork is protected by U.S. and International copyright laws. Distribution and/or modification of the artwork without written permission of the sponsor is prohibited.

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