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Godliness in Stone

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  Scene 1 It smells like… time down here. Not just damp earth or rot, but something older. A primal scent that’s been waiting in the dark for a millennium. I’m recording this at the bottom of the scar somewhere in the anomaly. In my mind, it's called the Necropolis Gully . My helmet is trying to map it—casting these sterile, digital grids over the moss and the stone—but the data doesn’t make sense. It’s glitching. It’s shuddering against the reality of this place. I don't know why I'm here, looking at ruins. Just... debris. But in the ruins, I found the ghosts of a future that never happened. I was walking over shards of polymerised memories . This was once a city.  It was meant to be the heart of a new world that... simply stopped. It wasn't an engineering failure. It was a failure of existence. Holding that slate, I felt this... weight. The grief of the architect. The "wounds of unbuilt dreams." I realised then that this isn't a graveyard for people. It’...

Ambitious Artist RAW

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Ambitious Artist Raw no reason no logic just physical and emotional just barely holding on my paintings were determined to have something to say Portrait of an ambitious artist

Self-portrait

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Over time I have changed Through multiple starting points and many opportunities, I evolved How did authority get inside of my head? A mind forged by manacles

Leper Line 25th Parallel

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It was so primitive From the 1860s to 1950s They were seemingly untreatable They were feared  There was panic Colonies within a colony A prison for the sick Of appalling living conditions Enforcing social isolation GRIM and SHAME

1981 An Ambitious Artist

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1981 An Ambitious Artist Back in ‘81  When  Times were fun  As a fine artist  With ambition in mind  I thought of life

LSL 60

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At the age of 60, I thought life would be much easier to understand In the '80s, I was painting art inspired by Fauvist, Cobra and Art Brut artists I wanted my art to be raw, powerful and primitive I was investigating our psychological and physical barriers as they failed to protect I wanted to paint self entrapment where sickness and resistance hid any possibility of outwardly demonstrating wellness. 

Singapore Botanical

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It is the smell that makes life so compelling The delicious smell of damp earth, fallen leaves and aged trees Return to an old wood rain forest to feel it in Sense the decomposing and surrendering of life Get to know the secrets held by the detritivore community Feed on the dead The scent of organisms recycling Making use of death for a continuation of life And allow the decay within to regenerate Picture yourself walking through a forest.  The light is fading fast You are racing to keep up with the light Apart from your panic everything is perfect What do you anticipate?

Osaka Cool

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For a shortish time I flew Without a sense of weight But I was to return Fallen down To here Osaka Cool Twilight Know your roots Where you belong And when you started to seperate To become part of their world  To be driven by  their emotional experience To be part of another's assimilated narrative