LSL 60



At the age of 60, I thought life would be much easier to understand


In the '80s, I was painting art inspired by Fauvist, Cobra and Art Brut artists


I wanted my art to be raw, powerful and primitive


I was investigating our psychological and physical barriers as they failed to protect


I wanted to paint self entrapment where sickness and resistance hid any possibility of outwardly demonstrating wellness. 









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Godin Connectedness

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Godin Connectedness  We argued with the vengeance from poorly informed memory. Straight from the loss to blame. For whatever reason it perpetuated justification. Of construeded loss,  from the need to self victimise. To the need of claiming nothing in particular. It was the battle to ingrain and embellish memory. In so, we tore each other apart and to feed individual right. Our eternal want to be known as right. The want for immediate anger to surface, rant and to glorify our past glories of being wronged. And then we rested exhausted.
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The Defined Gated Delusion

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Gated Delusion The primary purpose of the hall in the gallery is to create a sense of presence in the present moment. It is an empty space that allows visitors to feel as if they have been there but also not been there. The room's design subtly influences the participants' values through external factors. Within each gate, personal gatekeepers appear and tell the participants that their negative thoughts and beliefs are holding them back. The predicament promotes disorderly placement through complex subconscious decision-making. But, the environment ultimately intends to control decisions through subtle and intentional influence. Many at once. A unique and thought-provoking manifestation that aims to create a sense of presence and self-awareness in those who experience its being. A deeper understanding and appreciation of the self is acquired through this purpose-built experience. NFT The translucence beauty of the hall knowingly manipulates and deceives the participants to rea
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Gatekeepers of Art

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 Consider THIS Gatekeeper Gatekeeper Script  There are many individuals and organizations that can be considered "gatekeepers" in the art world, meaning that they play a role in determining what art is exhibited, promoted, or otherwise made available to the public. These gatekeepers can include curators, gallerists, collectors, critics, and other art industry professionals. Museums, galleries, and other cultural institutions are often considered the primary gatekeepers of the art world, as they have the power to decide which artists and artworks are exhibited and promoted. Curators, who are responsible for selecting and organizing exhibitions, can play a particularly influential role in this process Critics, who write about and evaluate art, can also influence public perceptions and demand for certain artists and artworks. As an independent artist, it is essential to recognize and consider the influence of these gatekeepers Botticelli Gatekeepers Botticelli Gatekeepers script
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Q Agony Gate

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The Branch of Three

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Botticelli Beauty

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I stand alone in solitude with my moral purpose.

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Q on Q Gallery - Gallery Wall CHANGE Power and Influence

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Gated Corridor

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