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When Atoms Reach for Sacred Altars

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  When Atoms Reach for Sacred Altars What do you feel when you touch something sacred? Do you want to touch sacred art? Are we creatures bound by thermodynamics, driven by an instinctual urge to exchange heat, shed skin cells, and mingle our matter with the monuments we revere? To stand before a sacred masterpiece is to experience a gravitational pull—an irresistible desire to collapse the space between subject and object, to leave an oily fingerprint as proof of shared existence.  The gallery border is a social construct attempting to enforce absolute vacuum, forbidding the inevitable entropy of human connection. To reach out anyway is to assert that our physical reality is not separate from the sublime, but bound to it by the very matter we carry on our fingertips. Reaching across that barrier is a quiet rebellion against social decorum: a desperate want for quantum entanglement that collapses the boundary between ideal beauty and our messy, lived reality. Be Creative a...

My Alien Plasma

 

My Alien Plasma

I made two digital artworks, each with a different approach. The first, Alien Plasma Neo, uses advanced digital editing to show a highly detailed energy being. The second, Plasma Alien, is a gestural painting that focuses on raw emotion. My interest in the 'energy being' theme comes from a lifelong curiosity about forces and life forms beyond what we usually see. I find energies and unseen phenomena fascinating because they represent transformation, vitality, and the mystery at the centre of my creativity. I want to explore how to visually convey inner power and life force, using both digital tools and painting techniques. I like experimenting with different tools to change an artwork. Comparing these two pieces shows how my intent shifts, much as a traditional artist might try out new media and methods.


Alien Plasma Neo

My first piece, Alien Plasma Neo, was all about hyper-definition and symmetry. I wanted to show this being at its highest energy, even down to the smallest energy pathways. I used GIMP and Luminar Neo to create strong neon effects and contrast, and I experimented with AI tools to shape the detailed, crystal-like network of glowing fibres. Every claw, every symmetrical part, and the strict geometry of the corridor were meant to make it a perfect digital specimen. I approached it as if I were documenting its power with a high sense of visual believability.

Alien Plasma Cave Neo

Now, while travelling with only my iPad, I wanted to simplify things and focus on feeling rather than details. That’s how Plasma Alien started, drawn directly in Procreate. The difference is clear right away. I loosened the symmetry and focused on a more active, dynamic pose. The energy is no longer controlled; it’s wild, explosive, and twisting. I used loose, textured Procreate brushes to paint light rather than just show it. The background changed too, from a detailed corridor to a loose swirl of colours, like a portal of light and movement. In Plasma Alien, I tried to show what it feels like to be near this being. This version is more of a rush of inner power than a clear depiction. I hope you, as the viewer, can sense the electric energy and volatility, as if you were standing in the room yourself, reacting instinctively. One piece is a sharp digital snapshot, while the other is raw. I am unsure how I shall take this forward as a transformation of my art practice. Do you have any thoughts?









John Bennett - AKA JJFBbennett, is an independent artist. You can view and subscribe to my work via Blogger, YouTube, Flicker, Facebook, Instagram and Deviant Art

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Copyright

This artwork is protected by U.S. and International copyright laws. Distribution and/or modification of the artwork without the written permission of the sponsor is prohibited.


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