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Godliness in Stone

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  Scene 1 It smells like… time down here. Not just damp earth or rot, but something older. A primal scent that’s been waiting in the dark for a millennium. I’m recording this at the bottom of the scar somewhere in the anomaly. In my mind, it's called the Necropolis Gully . My helmet is trying to map it—casting these sterile, digital grids over the moss and the stone—but the data doesn’t make sense. It’s glitching. It’s shuddering against the reality of this place. I don't know why I'm here, looking at ruins. Just... debris. But in the ruins, I found the ghosts of a future that never happened. I was walking over shards of polymerised memories . This was once a city.  It was meant to be the heart of a new world that... simply stopped. It wasn't an engineering failure. It was a failure of existence. Holding that slate, I felt this... weight. The grief of the architect. The "wounds of unbuilt dreams." I realised then that this isn't a graveyard for people. It’...

JJFBbennett Soundcloud Music Playlist

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JJFBbennett Music One-off sponsorship You Tube

Ambitious Artist Ha Ha Ha video

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At the age of 60, I thought life would be much easier to understand In the '80s, I was painting art inspired by Fauvist, Cobra and Art Brut artists I wanted my art to be raw, powerful and primitive I was investigating our psychological and physical barriers as they failed to protect I wanted to paint self entrapment where sickness and resistance hid any possibility of outwardly demonstrating wellness. Back in ‘81 When Times were fun As a fine artist With ambition in mind I thought of life It was so primitive From the 1860s to 1950s They were seemingly untreatable They were feared There was panic Colonies within a colony A prison for the sick Of appalling living conditions Enforcing social isolation GRIM and SHAME A wish in time Investing in negative sentiment Self-sealing Theory Evidence Belief Invested in negative sentiment Fabric and Structu...