This ring is the disparity portal What are our cognitive struggles? Metamodernist art by JJFBbennett The glass ring doesn't just divide the canvas; it bridges two entirely different eras of the soul. Look to the left. You see that heavy, anxious abstract expressionism—thick, turbulent strokes of purple and white paint colliding in a chaotic swirl. It’s the noise of modern anxiety, the visceral weight of our internal cognitive struggles. But follow the curve of the glass to the right, and the world opens up into an almost naive, idyllic landscape. Soft green hills, a quiet, winding river, and a pastoral peace that feels like a memory of a place we’ve never actually been. It’s intentionally a bit ironic, a bit nostalgic—a digital dream of simplicity. This ring is the disparity portal itself. It is a lens balancing on the fine line of metamodernism, suspended between cynical detachment and sincere hope. And if you look closely right there on the upper-left curve of the glass, I left...
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Ambitious Artist Ha Ha Ha video
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At the age of 60, I thought life would be much easier to understand
In the '80s, I was painting art inspired by Fauvist, Cobra and Art Brut artists
I wanted my art to be raw, powerful and primitive
I was investigating our psychological and physical barriers as they failed to protect
I wanted to paint self entrapment where sickness and resistance hid any possibility of outwardly demonstrating wellness.
There is a Disparity in My Light: Navigating the Split Creative Consciousness Introduction - Does Metamodernism Oscillate? Clarity, I've learned, doesn't guarantee a smooth landing. While the core recalibration manages our internal mechanics, we eventually have to look back out the window and confront the final destination. For many creators navigating major life transitions or complex technical boundaries, this shift introduces an unsettling inner divide. The anatomy of disparity in creative practice is the psychological friction of a split being—standing physically present in a new space while your internal pace is still trying to catch up with the velocity of your transition. When we widen our creative intent, we often slice our universe in half: balancing cold, geometric clarity on one side against the messy, vibrant residue of personal regret on the other. Rather than forcing these halves to blend, we must learn to treat this exact contrast as our personalised map. Geom...
There is a disparity in my light Clarity, I've learned, doesn't guarantee a smooth landing. While the core recalibration manages the internal mechanics, you eventually have to look back out the window and confront the destination. Looking for a new perspective and a striking contrast to normalised assumptions, there is an abstraction to sort through. The abstraction gives way to a jagged, real-world landscape. As the light of intention widens, the splitting of the universe is somehow centred. On one side, there is a blinding, geometric clarity . The sharp, glowing decisions are on the horizon. It slices into deeply set teal patterns of clinical acceptance. It is the architectural precision of a fully realised destination that is cold and uncompromising. On the other side of the divide, the residue of regret refuses to be neatly filed away. They are vibrant, bleeding magentas and crash heavily like a restless king tide that refuses to stop. This is the whole of me. I carry...
What is the Disparity Portal? A Metamodernist Commentary by artist JJFBbennett Portrait of a Metamodernist Artist If you stepped through the glass ring, which version of yourself would look back? A metamodernist discussion by artist JJFBbennett. A calm young man with wavy, dark cerulean-blue hair and a subtle smile stands perfectly centred inside a massive glass ring portal. He wears a simple light blue long-sleeved shirt. Behind his head, an intense golden sunburst radiates sharp, blinding rays. To his left are thick purple impasto swirls; to his right is a serene green valley painting. High-detail digital art, metamodern, surreal masterpiece. The Churn of the Unmade Look at the left side of the canvas. It isn’t just paint; it’s the heavy, exhausting gravity of pure affectation. I applied these deep purples and stark whites with a thick palette knife, wanting you to feel the weight of the medium itself—the messy, chaotic over-saturation of our digital lives, the constant noise. I...
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