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The art of authenticity

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  The Struggle for Authenticity in Art I want to speak today about authenticity . And about what we quietly give up to be accepted. We’re told that contemporary political art values autonomy . That artists are free. That inquiry sits at the centre of practice. But autonomy, in reality, is often something we *perform*— not something we’re allowed to exercise. Freedom is celebrated rhetorically, while legitimacy is granted only when work conforms to approved languages , approved theories , approved causes . Autonomy isn’t denied outright. It’s curated. This system doesn’t fail artists by accident. It functions mechanically. It rewards work that aligns with predetermined frameworks and filters out work that doesn’t speak the sanctioned dialect. Many voices are excluded not because they lack skill or meaning, but because they refuse to translate their experience into institutionally legible language. I’m not saying all excluded work is good. I am saying much of it is never heard. And ...
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Darwin street on a motorcycle: Rapid Creek Intersection

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If only intersections in life were as simple.
Rule regimentation and certainty of course.
But you know that I know, and I know that you know, this passage is about unknowns.

The passage is not free, but it is?
The passage is directed by unconscious decision making.


-STOP-
Cars = 1 ton of death


It is about time, space and particles smashing.
Each particle a death note.


The intersection is seemingly passive, under the control of purpose.
When error occurs it's a death intersection.

If it is so hard to see danger in this intersection, how is it possible within a point in life.


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