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The Puppet Master

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  Puppet Master The narrow, high-walled passage swallowed the sound of my boot scraping a broken cobblestone, the echo sharp in the dry air. Above, a sliver of unforgiving sunlight cut down, carving deep shadows where the damp, mossy scent of the gully was now replaced by the smell of dust and ancient stone. I paused, looking not just at my gloved hand—the leather scuffed from my descent, but at what was attached to it. Thin, nearly invisible lines, like high-tensile wires , stretched from the articulated cuff on my wrist and disappeared into the air above the path. I tracked them with my eyes until they converged on a small, stone figure standing motionless in the centre of the walkway. It was a crude marionette , barely a foot tall, carved from the same pale, cracked stone as the surrounding walls. Dressed in a simple tunic, its blank, oval face held a radiating sense of expectant waiting. Its arms were held out, palms up. I held the strings. Yet, the feeling was not one of cont...

Darwin street on a motorcycle: Rapid Creek Intersection






If only intersections in life were as simple.
Rule regimentation and certainty of course.
But you know that I know, and I know that you know, this passage is about unknowns.

The passage is not free, but it is?
The passage is directed by unconscious decision making.


-STOP-
Cars = 1 ton of death


It is about time, space and particles smashing.
Each particle a death note.


The intersection is seemingly passive, under the control of purpose.
When error occurs it's a death intersection.

If it is so hard to see danger in this intersection, how is it possible within a point in life.


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