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When Atoms Reach for Sacred Altars

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  When Atoms Reach for Sacred Altars What do you feel when you touch something sacred? Do you want to touch sacred art? Are we creatures bound by thermodynamics, driven by an instinctual urge to exchange heat, shed skin cells, and mingle our matter with the monuments we revere? To stand before a sacred masterpiece is to experience a gravitational pull—an irresistible desire to collapse the space between subject and object, to leave an oily fingerprint as proof of shared existence.  The gallery border is a social construct attempting to enforce absolute vacuum, forbidding the inevitable entropy of human connection. To reach out anyway is to assert that our physical reality is not separate from the sublime, but bound to it by the very matter we carry on our fingertips. Reaching across that barrier is a quiet rebellion against social decorum: a desperate want for quantum entanglement that collapses the boundary between ideal beauty and our messy, lived reality. Be Creative a...
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The Sputtering Fire - Physical Exhaustion

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The Embers in the Ice


The glass is cold against my cheek, a final barrier I no longer have the strength to break. My breath comes in shallow, ragged hitches, fogging the surface, blurring the world outside into a meaningless grey smear.


The violet firestorm that once roared through my neural pathways is dying. I can feel it sputtering out—weak, intermittent sparks fizzling around my temples like wet fuses. The machine is winning. It's heavy, clinical blue light washes over me, drowning the last of my resistance in a tide of artificial calm. I am too tired to fight the silence anymore. I am just... drifting.










John Bennett - AKA JJFBbennett, is an independent artist. You can view and subscribe to my work via Blogger, YouTube, Flicker, Facebook, Instagram and Deviant Art. 

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Copyright

This artwork is protected by U.S. and International copyright laws. Distribution and/or modification of the artwork without the written permission of the sponsor is prohibited.

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