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Waking up

 

Waking up in the Necropolis Gully

BK began her precarious descent into the Necropolis Gully, a name lost to a small number of archaeologists and rogue explorers. The crevice itself was a scar on the ancient landscape, a vast, yawning chasm that plummeted into the planet’s geological memory. As she rappelled down the sheer, moss-slicked wall, the air grew thick with the smell of damp earth and mineral deposits, a primal scent that felt undisturbed for millennia.

Through her helmet augmented simulation, illuminating the colossal, jagged stones that formed the gully's walls with data. It was here, wedged deep within a natural alcove, that she uncovered the remnants of forgotten structures and life-like sculptures. These were not mere ruins of a collapsing city; they were foundational outlines, crystalline supports, and fused-metal segments hinting at a magnificent, but tragically unfinished, urban vision. The architecture was abstract, alien, and perhaps too grand for any tourist to realise fully.

Reaching a narrow, dust-covered ledge, BK activated her futuristic navigation gear. The device, a sleek, wrist-mounted unit with a holographic projector, began mapping the surrounding subsurface contours, filtering out the geological noise to highlight any artificial anomalies. A low, rhythmic hum emanated from the gear, a sound of sophisticated technology engaging with ancient silence, effectively extending her senses into the unknown depths.

She began her deliberate exploration of the ancient crevice floor. It was a silent museum of what might have been. Her boots crunched over shattered pieces of what looked like polymerised glass, shards that reflected her light with a ghostly luminescence. She was uncovering more than just rubble; she was finding the structural ghosts of unrealised city plans.

One area, partially protected by an overhang, contained a series of large, etched steel plates that appeared to be schematic representations of skyways intersecting at impossible altitudes, geodesic domes that would have enclosed entire biomes, and energy conduits that traced a complex, decentralised power grid. These were not the hurried sketches of a declining civilisation but the meticulous, ambitious blueprints of a people brimming with impossible dreams.

With meticulous care, she began recording her findings. Her internal chronometer and spectral analyser logged the exact coordinates, the chemical composition of the materials, and the decay rate of the exposed structures. She spoke her observations into her suit’s recorder with a tone of quiet curiosity, her voice echoing briefly before being swallowed by the vast space. It was a blend of objective scientific documentation and profound, introspective reflection. She contemplated the sheer scale of the vision, the audacity of the civilisation that conceived it, and the ultimate, poignant failure to bring it to fruition. The gully was a monument to human ambition stalled at the precipice of creation.

Deeper into a secluded side-cavern, she followed a faint, residual energy signature picked up by her gear. The signal led her to a smooth, unnaturally preserved obsidian plinth. Resting atop it, shielded from the elements for untold ages, she discovered a hidden blueprint.

It was a crystalline data-slate, glowing with a soft, internal light when she touched it. The projected image showed the master plan: the central core of the unrealised city, a monumentally ambitious fusion reactor designed to harness a nearby planetary rift. It was the heart of the dream.

BK held the blueprint, feeling its weight (both literal and metaphoric). She reflected intensely on its potential. This was the key moment, when the civilisation had either run out of resources, succumbed to political infighting, or been defeated by the sheer impossibility of its own design. She felt a profound connection to the unknown architects, recognising in their perfect lines and flawless engineering the desperate hope for an ideal future.

But the discovery also carried a weight of sorrow. She understood that every unbuilt structure, every silent conduit, represented an emotional scar. These are the wounds of unbuilt dreams. The pain of the past failure, the sheer grief of what never came to be, resonated with her own experiences. The Necropolis Gully was not just a graveyard of buildings; it was a vast memorial to abandoned futures, a silent lesson that even the grandest visions can be shattered by the unforgiving realities of existence. She logged the final discovery, knowing this blueprint would change everything history recorded about the lost civilisation.








John Bennett - AKA JJFBbennett, is an independent artist. You can view and subscribe to my work via Blogger, YouTube, Flicker, Facebook, Instagram and Deviant Art

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