The Art of the Damned The current gallery system functions as a modern dam built right at the headwaters of artistic creation. The headwaters are the raw, bubbling springs high in the mountains—wild, uncontainable, fed by countless small tributaries of individual vision, experimentation, failure, intuition, and obsession. This is where most serious art actually begins: in studios, bedrooms, sketchbooks, late-night arguments, personal crises, and private obsessions, long before any curator or collector ever hears a name. Once a handful of major galleries, institutions, auction houses, and their allied gatekeepers (collectors, critics, fair directors, residency programs) gain decisive influence over those headwaters—deciding which artists get early solo shows, which receive press, which enter the "right" conversations, which are anointed with blue-chip representation—they effectively place the dam. From that point forward: The flow of visibility, legitimacy, money, and audien...
Get link
Facebook
X
Pinterest
Email
Other Apps
Decent into the Valley Below
Get link
Facebook
X
Pinterest
Email
Other Apps
-
Skipping through Dystopia on way to Utopia
A lone figure moves with an unsettling grace in the dim twilight of a decaying city, where the remnants of civilisation stand as silent witnesses to their demise. Each step taken amidst the desolation seems to mock the essence of existence as if moving forward is a futile rebellion against the oppressive weight of being. The air is thick with the stench of rust and decay, a tangible reminder of the absurdity that permeates this forsaken world.
As the figure advances, the surrounding gloom intensifies, the shadows growing longer and more oppressive. The skeletal remains of the old world loom ominously, their presence a stark reminder of the inescapable reality of existence. Yet, amidst this suffocating despair, there is a fleeting, almost imperceptible shift where the oppressive darkness gives way to a horizon bathed in a cold, indifferent light. The figure pauses, gazing back at the path traversed, a journey marked by the relentless confrontation with the absurdity of being. In this moment, there is no utopia, no redemption, only the stark, unyielding reality of existence and the solitary figure's acknowledgment of it.
Decent into the Valley Below
Walking down the winding graded paths with Finn by my side. I could feel the anticipation bubbling within me. The sun cast its warm light on the weathered stone walls, illuminating our way to the bustling city below. We were leaving behind the town we knew so well. But I felt a thrill in my heart. A promise of adventure. Waiting just ahead.
The sound of the river called to us like a distant heartbeat, urging us forward. I could already imagine the vibrant market and the new experiences that awaited us. With each step, the weight of the familiar lifted, and I realised we were stepping into the unknown, a world filled with endless possibilities. Our laughter echoed around us, blending with the sounds of the city as we embraced whatever came next.
A Self-Imposed Utopia
Amid an unending expanse, where the horizon dissolves into a nebulous void, we have become adrift among colossal structures suspended in the ether. These edifices, neither anchored to earth nor bound by gravity, loom with an oppressive grandeur, their foundations obscured by swirling mists. Each facade, a labyrinth of windows reflecting an infinite sky, confronts us with the absurdity of their existence—and ours.
In this boundless realm, time loses meaning. Moments stretch into eternity, and we are left to confront the void within and without. The weight of existence presses upon me, a relentless reminder of indifference as the future reveals itself. Yet, amidst the awe of delusion, we have a resolve to impose meaning upon the meaningless and assert our being against the encroaching nothingness.
Scene 1 In the cradle of copper veins, where the first byte flickered like a eucalyptus firefly against the millennial dusk of 2000, threads uncoiled—raw and unbidden, a post-punk snarl weaving through the static hum of dial-up dreams. Imagine the snare drum's ghost-crack echoing off Uluru's red flanks , not as a conquest but as a lover's bruise, blooming violet under star-pricked skin. Here, rebellion wasn't a fist raised in Canberra's marbled halls but a glitch in the grid . A Laughing Clowns howl warping the airwaves, sonic annotation—jagged guitar riffs splintering into didgeridoo drones , fading to the hiss of cooling circuits. The wire remembers: a young voice, pixels pulsing with the fury of forgotten tapes, cassette ribbons unravelling like the Murray-Darling 's parched secrets, whispering of bans that bind not bodies but bytes, burqas woven into neural lace, veils pleading for the light they obscure. Be Creative and Innovative with Knowledge Jo...
The Twelve Loops of Goodbye The fluid rises. The cryo-hiss is deafening. And then... the program starts. Twelve times. The system cycles, and twelve times I see you. It starts the same. The image freezes in the dark. It’s you, BK. Or... It’s your idea. You’re wearing the rig. The goggles are locked on me. I try to say your name, but my mouth is filled with ice. I love you. God, I love you. But you don’t blink. The Neural Glitch . Something is wrong. The memory corrupts. I see " corrupted code " trying to stabilise across your face. Your eyes... behind the lenses... they twitch. Microscopically. Are you hurting? Or is that my pain rippling through the connection? A low-frequency pulse warps your skin. You look like a stranger. You look like the machine. The Shuddering Breath . This is the one that breaks me. Total stillness. Then... a faint mist forms at your mouth. Condensation beads on the goggles. I scream at you to breathe! Just breathe! But it’s slow. Irregular. It’s a ...
The Ayes Have It (But She Don't) Everybody knows the bill is dead Everybody knows the Senate’s red Everybody knows the deal is done The major parties had their fun The crossbench bargains were all just show The whips have cracked, the whistle’s blowed That’s how it goes And Hanson always votes no. Everybody knows the bells are ringing Everybody knows the mud they’re slinging Everybody knows the clerk can’t count With all the grievances they mount Everybody knows that the motion’s lost Everybody knows what the lobby cost The Ayes go high, the chamber’s low And Hanson always votes no. And everybody knows that it’s now or never Everybody knows that it’s gonna take forever Everybody knows that the act is rotten Old amendments best forgotten Everybody knows the tellers move With nothing left for them to prove The red room puts on quite a show But Hanson always votes no. Everybody knows the maiden speech The lessons that she tried to teach About the fish and about the chips And the tig...
Comments
Post a Comment