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Strapped in an Alien Cocoon

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  Strapped in an Alien Cocoon The air... where is the air? The room is sucking it out. It’s blue. It’s cold. It’s the color of drowning. No... no, no, no. Don't touch me! Get it off! The linen... it’s shrinking! It’s sewing my skin together! I can’t... I can’t expand my chest! WAKE UP! MOVE! DAMN IT, MOVE! My hands! They’ve cut off my hands! Why can’t I reach the glass?! SOMEBODY HELP ME! Can’t breathe. Can’t breathe. Can’t breathe. It’s tight. It’s a snake. It’s crushing my ribs. Tastes like copper... tastes like blood. BREAK! SHATTER! Why is there no sound?! I’m screaming my throat raw but the silence is eating me alive! BK! KATCHA! No! Don’t sleep! The needle... the ice! It’s killing the pilot! If I close my eyes, I unspool! I fall apart! Stay awake, you coward! STAY AWAKE! Spinning. Everything is spinning. The floor is gone. The gravity is wrong. I’m falling up! I’m falling into the black hole! LIES! That’s not real! That’s a ghost! My mind is snapping! I’m looking at a memory ...
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Artist Statement Threat and Aesthetics

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The easiest way to enable change is to substantiate it with a threat. Politicians use threats to win elections and to ward off scrutiny. Leadership employs threats to make a structural change, and to build allegiance against a common enemy. Workers live under the threat of wage loss and increasing financial debt. Artists make aesthetic decisions under the threat of poverty.









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