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The art of authenticity

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  The Struggle for Authenticity in Art I want to speak today about authenticity . And about what we quietly give up to be accepted. We’re told that contemporary political art values autonomy . That artists are free. That inquiry sits at the centre of practice. But autonomy, in reality, is often something we *perform*— not something we’re allowed to exercise. Freedom is celebrated rhetorically, while legitimacy is granted only when work conforms to approved languages , approved theories , approved causes . Autonomy isn’t denied outright. It’s curated. This system doesn’t fail artists by accident. It functions mechanically. It rewards work that aligns with predetermined frameworks and filters out work that doesn’t speak the sanctioned dialect . Many voices are excluded not because they lack skill or meaning, but because they refuse to translate their experience into institutionally legible language. I’m not saying all excluded work is good. I am saying much of it is never heard. An...

Australian Gothic

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  The land  Where there are no crumbling castles  No bloodsucking vampires No ancient monsters No antiquity Too immature for proper history The terror is unseen The terror has been repressed  Through imperial violence, fear, and subversion Mass transportation to the dungeon of the world 50 thousand years  Then came The water buffalo The missionaries Pastoral activity Uranium mining Forestry Tourism Sheer relentless pressure Bringing forth crisis and social breakdown And obligated to make way We sense their dread As they combined the elements to create a threat A social, religious, and physical threat The darkest mountain The deepest canyon There is no escape THEN There are those who predicted the threat Those who compose the realities of impending horror  Those who shepherd the flock into their shelters As we return to our nooks and anticipate their foretold slaughter When you feel an object is both alive and not alive Consecrated Special powers Invisible ...