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The Art of the Damned

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  The Art of the Damned The current gallery system functions as a modern dam built right at the headwaters of artistic creation. The headwaters are the raw, bubbling springs high in the mountains—wild, uncontainable, fed by countless small tributaries of individual vision, experimentation, failure, intuition, and obsession. This is where most serious art actually begins: in studios, bedrooms, sketchbooks, late-night arguments, personal crises, and private obsessions, long before any curator or collector ever hears a name. Once a handful of major galleries, institutions, auction houses, and their allied gatekeepers (collectors, critics, fair directors, residency programs) gain decisive influence over those headwaters—deciding which artists get early solo shows, which receive press, which enter the "right" conversations, which are anointed with blue-chip representation—they effectively place the dam. From that point forward: The flow of visibility, legitimacy, money, and audien...
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Flagstaff Gardens Missing Statues

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This is a matter of inference rather than direct seeing
Seven burials took place here
No evidence that the bodies were exhumed
What potential
If we want to understand it’s time to reinvent

We act as forgeries in the style of what we really want
Only to became redundant due to the introduction of a new technology
Then knowing we have been found out
We lack the  knowledge
Like fallen angles that lack life and emotional play

Taking the historicist position by what we forgot about it
Through the development of scientific knowledge
The colony of identity has been re-established
Normalised aura
To form once again - a unique existence in a particular place in time

This magnificent achievement that time has reshaped
To what is now less good, less beautiful, less awe-inspiring, less interesting
Our memories reliant on reward and monetary gain
Walk on by and think less about it
When none of the original statues exist, it nolonger matters.









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