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The Metamodern Smudge: Seeing Growth on the Frame

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  The Metamodern Smudge: Seeing Growth on the Frame My use of the phrase "Fingerprint on the frame" functions as a metamodernist artifact. From my perspective, metamodernism oscillates between modernist sincerity and postmodern irony, and this concept sits precisely at that intersection. It recognises that the artwork within the frame is a construction, while also valuing the human touch that created it. More than just recognition, it is the fundamental identifier.  In this space, the smudge is not just an artistic signature; it is a map of personal growth. It reveals the traces of our experiences and the impact of our interactions with the world around us. The transparency of glass symbolises the invisible cultural conditions that shape our perspectives, allowing us to see through to the complex realities that influence our creativity and expression. This interplay creates a deeper understanding of both the art and the artist, acknowledging that every mark left behind tells ...
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Flagstaff Gardens Missing Statues

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This is a matter of inference rather than direct seeing
Seven burials took place here
No evidence that the bodies were exhumed
What potential
If we want to understand it’s time to reinvent

We act as forgeries in the style of what we really want
Only to became redundant due to the introduction of a new technology
Then knowing we have been found out
We lack the  knowledge
Like fallen angles that lack life and emotional play

Taking the historicist position by what we forgot about it
Through the development of scientific knowledge
The colony of identity has been re-established
Normalised aura
To form once again - a unique existence in a particular place in time

This magnificent achievement that time has reshaped
To what is now less good, less beautiful, less awe-inspiring, less interesting
Our memories reliant on reward and monetary gain
Walk on by and think less about it
When none of the original statues exist, it nolonger matters.









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