Every stop is a story - Darwin to Adelaide River The Adelaide River Rupture (image to be uploaded - subscribe to be notified) The storm did not break over the Adelaide River plains; rather, reality tore open along the track. To the left, the familiar Top End landscape clung fiercely to its quiet melancholy. A lone gum tree stood sentinel over the charred scrub and dry earth, its leaves catching the last bruised light of a brooding wet-season sky. In the hollow below, the old fictional homestead crouched beside the rutted dirt road, enduring the heavy stillness that always settles before the atmosphere ruptures. Then came the tear. It began not with thunder, but with an overwhelming, luminous heat that shredded the grey overcast into molten ribbons. You could feel the vortex of raw energy sweeping through radiant ambers, searing cadmium oranges, and blinding celestial whites. The vortex descended like a folded dimension brushing against the earth. Where the atmospheric rift touch...
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Student Distraction and Teaching
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I think dealing with distraction has been with humans for many centuries. It isn't something we have to bash up our youth with. They are not a diminished generation. I like Elvis even though he destroyed my parent's minds
How do we measure diminished concentration? Many people have an unintentional injury in the pre-Google world. In America (land of Google) from 2000 to 2009 unintentional death rates declined by 29%. There is enough research that demonstrates a rise in IQ occurred alongside the rise of the internet. (Google Scholar search: Internet and IQ increase).
I believe that Learning is actually a distraction (disruptive and distractive).
I have a keen interest in how mindsets which focus on narrow points disconnects us with what is actually happening in what is a rich multi-faceted complex reality. Knowing actually positions the person. It can lessen adaptability and change.
An open learning mindset distracts us from fixed knowing. Education is in the learning business, not the knowing business. Education is a distraction. In regards to open-mindsets and fixed mindsets, I refer to psychologist Carol Dweck.
What occurs in our fabricated personal paradigm is often a disillusioned place that we think we know until something or somebody (teacher, mentor, peer) helps us transform towards a new sense of understanding. Learning is the distraction we need to assist us from the position based fixed mind of knowing. Sometimes allowing yourself to be distracted from what you know is difficult.
Check out how easily these pre-Google educated people are so easily distracted.
I have not read any research that specifically states that learning has diminished because of students' diminished capacity to think and learn. I do not believe that students' have any less attention span than my generation or my parents' generation. Students are staying longer at school, unintentional accidents have declined and research points to an increase in IQ has occurred whilst the internet reaches mass saturation. The ability to read and understand, to think deeply and philosophically, and to develop intellectually has not diminished.
21st Century learning requires different teaching methodologies and tools than what was generally employed in the 20th century. OECD links the growth of a nation's economy with learning, technology, and innovation. Singapore is now top of the OECD PISA ranks. They employ a program 'Teach Less Learn More' and employ high levels of connected technology. Singapore has changed significantly since my youth. Future secondary school students need to have the skills to work in the Global Digital Economy: Digital Economy Skills (read more):
It is possible that if learning is based on consuming content, listening, observing, note-taking, and regurgitation (20th Century Industrial technology methods) distraction can increase. However, if learning which actively engaging students with their learning through 21st Century networks and social technology, learning effectiveness can increase.
Anne Matthew paper on Managing distraction in 21st-century learning environments, Nuts and Bolts' offers some insights into learning, inter-connectivity, rapid multitasking, and attention switching:
The challenges of maintaining attention and managing distraction are not new barriers to learning; the novelty in 21st-century learning environments is the plethora of technological distractions beyond the control of the teacher. The extent to which distraction impacts upon the learning experience may well be dependent upon a number of factors, including learning and teaching approaches and individual learning preferences. Where the learning experience hinges upon student attention through listening, observing, or note-taking, the impact of the distraction indicates a potential failure in pedagogy in the new learning environment. The challenge presented is how best to engage learners effectively. The answer may lie at the intersection of attention economics and accepted principles of effective learning and teaching practices directed at maximizing student engagement in active learning (Matthew, 2012). In information-rich, highly connected learning environments, the most effective learning, and teaching practices will be those that deploy and structure attention to the greatest effect by actively engaging students with their learning. It is suggested that in seeking the most appropriate pedagogy, the learner’s role in actively shaping their own learning experience should be supported and such support should extend to use of ‘technologies of their own choice where appropriate’ (JISC, 2009, p. 51)
When Atoms Reach for Sacred Altars What do you feel when you touch something sacred? Do you want to touch sacred art? Are we creatures bound by thermodynamics, driven by an instinctual urge to exchange heat, shed skin cells, and mingle our matter with the monuments we revere? To stand before a sacred masterpiece is to experience a gravitational pull—an irresistible desire to collapse the space between subject and object, to leave an oily fingerprint as proof of shared existence. The gallery border is a social construct attempting to enforce absolute vacuum, forbidding the inevitable entropy of human connection. To reach out anyway is to assert that our physical reality is not separate from the sublime, but bound to it by the very matter we carry on our fingertips. Reaching across that barrier is a quiet rebellion against social decorum: a desperate want for quantum entanglement that collapses the boundary between ideal beauty and our messy, lived reality. Be Creative a...
WHAT CAN MAKE UP FOR LACK OF TALENT Does art derive its validity from the skill of the creator's hand, or from the cultural scaffolding that forces our conscious spotlight onto the object? This gallery space has thrown down a direct challenge. Dominating the centre wall, glowing in bright white neon above the shattered glass and the Campbell's Soup Can, is a raw, uncomfortable question: "WHAT CAN MAKE UP FOR LACK OF TALENT?" This neon sign acts as the ultimate cognitive mirror, forcing us to reconcile the two extremes hanging on either side of the gallery. The Postmodern Answer: Frame and Hype Look at the soup can sitting in the spotlight. Postmodernism, driven by Andy Warhol and Pop Art, gave a cynical, revolutionary answer to this neon question: Context, branding, and institutional framing make up for a lack of talent. Postmodernism declared that you don't need the masterly brushwork of the Renaissance or the sublime emotional intensity of Mark Rothko. An art...
JJFBbennett travels China Travel China vblog A travelogue through transit, urban spaces, and metamodern art. Follow the journey from Darwin into mainland China—spanning flight corridors, local bus routes and the architectural textures of Guangzhou. Blending visual observation, posthuman reflections, and ambient digital art, this series explores mobility, modern landscape, and the hero's journey in transit. Travel serves as the raw material for my digital art, transformed through the lens of experiential video. I approach video recording much like a traditional painter uses charcoal: as an immediate, fluid sketch. Where a static photograph freezes time, a video sketch captures gesture, momentum, light shifts, and the living pulse of an environment. Through editing, video becomes more than a record of movement—it becomes a site of active reflection. It allows me to re-enter the experience, positioning myself within the atmosphere of the place. This process of thinking about think...
