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Waiting for inspiration

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Waiting for inspiration The air in a waiting room carries a specific kind of weight, a density that seems to swallow sound. For centuries, artists have tried to capture this heavy, invisible presence. I think of Honoré Daumier , who portrayed the slumped, weary resignation of third-class travellers. He understood that waiting wasn't just sitting; it was an endurance sport. I see that same heavy air, but my era is electrified. The figure on the left isn't just sitting; they are anchored against a storm of data. Their head is buried in their hands, face half-hidden as if they're trying to crawl inside their own mind to escape the silence. The thick, aggressive slashes of orange and gold overhead resemble a visual scream, capturing that internal chaos where your thoughts race at a hundred miles an hour while your body is stuck in a plastic chair. The green glow on their skin adds a cold, modern tension, making the whole scene feel like a pulse vibrating beneath a still surface...

Waiting for inspiration

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Waiting for inspiration The air in a waiting room carries a specific kind of weight, a density that seems to swallow sound. For centuries, artists have tried to capture this heavy, invisible presence. I think of Honoré Daumier , who portrayed the slumped, weary resignation of third-class travellers. He understood that waiting wasn't just sitting; it was an endurance sport. I see that same heavy air, but my era is electrified. The figure on the left isn't just sitting; they are anchored against a storm of data. Their head is buried in their hands, face half-hidden as if they're trying to crawl inside their own mind to escape the silence. The thick, aggressive slashes of orange and gold overhead resemble a visual scream, capturing that internal chaos where your thoughts race at a hundred miles an hour while your body is stuck in a plastic chair. The green glow on their skin adds a cold, modern tension, making the whole scene feel like a pulse vibrating beneath a still surface...

The Inhabited Pause

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  The Inhabited Pause "Waiting is not merely the passage of time; it is an active, often uncomfortable internal labour." In Waiting Room Portrait, I explore the profound tension of maintaining one’s presence within the "in-between." Drawing inspiration from the quiet, heavy resignation in Honoré Daumier’s waiting rooms, this digital watercolour seeks to transform the modern waiting experience from a static period of boredom into a vivid, spiritual practice. The central figure is an anchor of introspection amidst a whirling, chaotic background of light and colour. By utilising thick, expressive brushstrokes, I’ve constructed a pose—hand to chin, face obscured—that captures the weight of self-reflection. While the figure remains grounded on a dark, solid base, the palette of searing magentas and electric purples suggests an internal landscape that is anything but silent. These "loud" colours represent the heat and tension of a mind that is fully engaged with...

My Alien Plasma

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  My Alien Plasma I made two digital artworks, each with a different approach. The first, Alien Plasma Neo, uses advanced digital editing to show a highly detailed energy being. The second, Plasma Alien, is a gestural painting that focuses on raw emotion. My interest in the 'energy being' theme comes from a lifelong curiosity about forces and life forms beyond what we usually see. I find energies and unseen phenomena fascinating because they represent transformation, vitality, and the mystery at the centre of my creativity. I want to explore how to visually convey inner power and life force, using both digital tools and painting techniques. I like experimenting with different tools to change an artwork. Comparing these two pieces shows how my intent shifts, much as a traditional artist might try out new media and methods. Alien Plasma Neo My first piece, Alien Plasma Neo, was all about hyper-definition and symmetry. I wanted to show this being at its highest energy, even down t...

Drifting Clouds

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  Drifting Clouds between Hong Kong and Guangzhou When I was suspended in that atmospheric corridor between Hong Kong and Guangzhou, I was struck by how the sky felt like a turbulent yet tender expanse. I wanted my watercolour strokes to blend and blur on the paper, mimicking the ever-shifting weather patterns of the region. That is of moisture-laden clouds dissolve effortlessly into brilliant, open patches of blue. For me, this piece is an impressionistic echo of that flight. I was trying to capture that fleeting, weightless moment of looking out into a vast horizon, right when the heavens feel both endlessly deep and close enough to touch. Be Creative and Innovative with Knowledge John Bennett - AKA JJFBbennett , is an independent artist. You can view and subscribe to my work via  Blogger , YouTube , Flicker , Facebook , Instagram and Deviant Art .  Subscribe to JJFBbennett's private FB hub:  https://www.facebook.com/share/g/18ythpSXPZ/ You can subscribe to m...

The Art of Malaka

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  The Art of Malaka  Malaka (Rise Above 'Em) [Verse 1] Jealous cowards try to control! Mean-spirited cloth – cut from the same! Old comments rotting – fourteen years old! Doubling down – you got no shame! [Chorus] Malaka! Malaka! Special Greek word – for scum like you! Malaka! Malaka! Rise above! We're gonna rise above! Vile views – spreading hate and fear! Malaka! Malaka! We ain't taking it – no more! [Verse 2] Who’s next on the list? Indians? Greeks? Vietnamese? Women? Whose next to be cut? Major parties silent – lips sealed tight! Cowards in suits – hiding from the fight! [Chorus] Malaka! Malaka! Pauline and Cory – same rotten core! Malaka! Malaka! Ashamed? You should be ashamed! Hate, division, fear in the air! Malaka! Malaka! We’re calling it out – everywhere! [Bridge] Minorities marginalized – feeling the pain! Unheard, unrepresented – driven insane! This ain’t left or right – it’s decency! Common fucking decency! I’m angry – really bloody angry! How do you get away w...

The Sputtering Fire - Physical Exhaustion

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  The Embers in the Ice The glass is cold against my cheek, a final barrier I no longer have the strength to break. My breath comes in shallow, ragged hitches, fogging the surface, blurring the world outside into a meaningless grey smear. The violet firestorm that once roared through my neural pathways is dying. I can feel it sputtering out—weak, intermittent sparks fizzling around my temples like wet fuses. The machine is winning. It's heavy, clinical blue light washes over me, drowning the last of my resistance in a tide of artificial calm. I am too tired to fight the silence anymore. I am just... drifting. Be Creative and Innovative with Knowledge John Bennett - AKA JJFBbennett , is an independent artist. You can view and subscribe to my work via  Blogger , YouTube , Flicker , Facebook , Instagram and Deviant Art .  Subscribe to JJFBbennett's private FB hub:  https://www.facebook.com/share/g/18ythpSXPZ/ You can subscribe to my music via  YouTube Music ,...

This crushing weight

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  The Event Horizon of Regret This is no star map; this is the geography of my own collapse. I am on my knees, the obsidian floor splintering under the weight of what hovers above me. It is a sphere of pure, swirling silence—the Black Hole Mind. It breathes gravity, pulling at the seams of my flight suit, demanding I fold. I try to summon the old fire, to spark some resistance, but my anger manifests only as thin, fractured volleys of violet lightning. They strike the darkness and are instantly swallowed. I am tiny. I am insignificant. And I am being crushed by the density of everything I cannot escape. Be Creative and Innovative with Knowledge John Bennett - AKA JJFBbennett , is an independent artist. You can view and subscribe to my work via  Blogger , YouTube , Flicker , Facebook , Instagram and Deviant Art .  Subscribe to JJFBbennett's private FB hub:  https://www.facebook.com/share/g/18ythpSXPZ/ You can subscribe to my music via  YouTube Music , Spotif...

The Art of Bigots

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  The Art of Bigots Please Explain (Bigots on the Storm) thunder cracking, pouring rain, distant tortured piano [Verse 1] Bigots on the storm Bigots on the storm Into this hell we're thrown Like a corpse without a home A puppet carved from bone Bigots on the storm [Verse 2] There's a Hanson in the abyss Her mouth is rotting with the hiss "Swamped by Asians!" vomits through the black "Please explain!" — the last words you’ll hear back Take a long holiday to the void Let the mining blood money be enjoyed If you give this poison a ride Sweet Australia will suicide Hanson in the abyss… yeah [Chorus] Bigots on the storm Bigots on the storm Into this grave we're thrown Bigots on the storm [Verse 3] Burqa in the Senate, reaper in disguise "Muslims incompatible!" as the nation dies "No good ones," she exhales like cyanide "Religion of hate," the bigots glorify Child after child on the dole they curse Conditional sorry — watch the co...

The Art of the Damned

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  The Art of the Damned The current gallery system functions as a modern dam built right at the headwaters of artistic creation. The headwaters are the raw, bubbling springs high in the mountains—wild, uncontainable, fed by countless small tributaries of individual vision, experimentation, failure, intuition, and obsession. This is where most serious art actually begins: in studios, bedrooms, sketchbooks, late-night arguments, personal crises, and private obsessions, long before any curator or collector ever hears a name. Once a handful of major galleries, institutions, auction houses, and their allied gatekeepers (collectors, critics, fair directors, residency programs) gain decisive influence over those headwaters—deciding which artists get early solo shows, which receive press, which enter the "right" conversations, which are anointed with blue-chip representation—they effectively place the dam. From that point forward: The flow of visibility, legitimacy, money, and audien...

The Internal Singularity

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  The Internal Singularity  The silver nanoweave holds me tight... shimmering like a second skin. But the crushing weight isn't coming from the machine. It’s inside. I look down at my chest... and there is no flesh left. No ribs. No heartbeat. Only a collapse. A dark... swirling... singularity. The air in the pod bends around me. The light itself is warping... pulled uncontrollably into the hollow where my soul used to be. I see my fear—those thin, fractured arcs of violet lightning—trying to break free. But they don't flare out. They are dragged back in. Violently sucked into the crushing gravity of this... bottomless despair. Nothing escapes. Not the light. Not the scream. Not me. Be Creative and Innovative with Knowledge John Bennett - AKA JJFBbennett , is an independent artist. You can view and subscribe to my work via  Blogger , YouTube , Flicker , Facebook , Instagram and Deviant Art .  Subscribe to JJFBbennett's private FB hub:  https://www.facebook...

Vision 4 Our internal black hole

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  The Internal Singularity Inside the high-tech cryo-cocoon, JB’s bound body is central, wrapped tightly in shimmering silver nanoweave. His chest cavity is visualised not as flesh, but as a swirling, dark "black hole" singularity, warping the light and space within the pod. Thin, fractured arcs of violet light—representing his remaining anxiety—are being violently sucked into this dark centre, unable to escape the "crushing gravity" of his despair. The lighting is heavy, dark, and oppressive. This Crushing Weight  Psychological Landscape A surreal, abstract psychological landscape inside JB's mind. A tiny, insignificant figure of JB in his flight suit is on his knees on a cracked obsidian floor, being physically crushed by the immense, gravitational weight of a massive, swirling dark sphere hovering just above him—the manifestation of the "black hole mind." Fractured, weak volleys of violet lightning crackle uselessly against the overwhelming darkness...

Vision 3 Our Psycho-Mythic Descent

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  Our Psycho-Mythic Descent Here we are Stuck inside this weave You and I Underneath a hum that's ever tightening down, down, down Ever tightening down. Through the glass As if in an ocean Waiting here Always failing to remember who we were, were, were I wonder who we were. You look at me But your eyes are empty In the dark With the silver metal blooming in your mind, mind, mind Blooming in your mind. And the storm Rages on the outside While we sleep Watching all the shattered fragments floating by, by, by Fragments floating by. Here we are Caught inside the amber You and me Leaving all the ghosts of who we used to be, be, be Who we used to be. Be Creative and Innovative with Knowledge John Bennett - AKA JJFBbennett , is an independent artist. You can view and subscribe to my work via  Blogger , YouTube , Flicker , Facebook , Instagram and Deviant Art .  Subscribe to JJFBbennett's private FB hub:  https://www.facebook.com/share/g/18ythpSXPZ/ You can subscribe t...

The Art of Yeee-haw

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  The Art of Yeee-haw Goddamn, let's do a tune called "Hanson Hide," okay?   Goddamn tape's rollin', let's go!   Let's round 'em up!   One, two, three, four! Rollin', rollin', rollin'   Rollin', rollin', rollin'   Keep them Asians movin', movin', movin'   Though they're workin', never complainin'   Don't try to tell me they're not floodin'   We're gettin' swamped! Swamped! SWAMPED! Yippee-yi-yay, burqa in your face!   Yippee-yi-yo-ki-yay, cover up the race!   Hanson hide, yeee-haw! Rollin', rollin', rollin'   Rollin', rollin', rollin'   Keep them Africans out, out, out   They bring disease, that's what she shouts   No refugees, no black South, no doubt   We're gettin' swamped! Swamped! SWAMPED! Yippee-yi-yay, chain-link and hate!   Yippee-yi-yo-ki-yay, keep Australia white!   Hanson hide, yeee-haw! No good Muslims!...