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Godliness in Stone

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  Scene 1 It smells like… time down here. Not just damp earth or rot, but something older. A primal scent that’s been waiting in the dark for a millennium. I’m recording this at the bottom of the scar somewhere in the anomaly. In my mind, it's called the Necropolis Gully . My helmet is trying to map it—casting these sterile, digital grids over the moss and the stone—but the data doesn’t make sense. It’s glitching. It’s shuddering against the reality of this place. I don't know why I'm here, looking at ruins. Just... debris. But in the ruins, I found the ghosts of a future that never happened. I was walking over shards of polymerised memories . This was once a city.  It was meant to be the heart of a new world that... simply stopped. It wasn't an engineering failure. It was a failure of existence. Holding that slate, I felt this... weight. The grief of the architect. The "wounds of unbuilt dreams." I realised then that this isn't a graveyard for people. It’...
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Portrait of John Bennett in Myanmar

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Portrait of John Bennett in Myanmar
Created by JJFBbennett
Digital Photo - GIMP and Inkscape

The true value of this portrait is my intent to capture identity in a transient sense. The truth of being in place and time,  meaning, and understanding.

Standing in the hot sun of Mandalay with my black hat on
Dressed in my safe tourist attire 
A visitor of respect 
Not of threat nor of contempt
Far away from the colonial lies written by Kipling
This is how I stood 66th St, Mandalay, Myanmar

Where centuries of knowledge had passed by
Where centuries of knowledge will pass by
Where in this time I was humbled by an opportunity to stand still and be silent.
My short admiration seeing and being in Mandalay 






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