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The Art of the Damned

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  The Art of the Damned The current gallery system functions as a modern dam built right at the headwaters of artistic creation. The headwaters are the raw, bubbling springs high in the mountains—wild, uncontainable, fed by countless small tributaries of individual vision, experimentation, failure, intuition, and obsession. This is where most serious art actually begins: in studios, bedrooms, sketchbooks, late-night arguments, personal crises, and private obsessions, long before any curator or collector ever hears a name. Once a handful of major galleries, institutions, auction houses, and their allied gatekeepers (collectors, critics, fair directors, residency programs) gain decisive influence over those headwaters—deciding which artists get early solo shows, which receive press, which enter the "right" conversations, which are anointed with blue-chip representation—they effectively place the dam. From that point forward: The flow of visibility, legitimacy, money, and audien...
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Portrait of John Bennett in Myanmar

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Portrait of John Bennett in Myanmar
Created by JJFBbennett
Digital Photo - GIMP and Inkscape

The true value of this portrait is my intent to capture identity in a transient sense. The truth of being in place and time,  meaning, and understanding.

Standing in the hot sun of Mandalay with my black hat on
Dressed in my safe tourist attire 
A visitor of respect 
Not of threat nor of contempt
Far away from the colonial lies written by Kipling
This is how I stood 66th St, Mandalay, Myanmar

Where centuries of knowledge had passed by
Where centuries of knowledge will pass by
Where in this time I was humbled by an opportunity to stand still and be silent.
My short admiration seeing and being in Mandalay 






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