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The Metamodern Smudge: Seeing Growth on the Frame

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  The Metamodern Smudge: Seeing Growth on the Frame My use of the phrase "Fingerprint on the frame" functions as a metamodernist artifact. From my perspective, metamodernism oscillates between modernist sincerity and postmodern irony, and this concept sits precisely at that intersection. It recognises that the artwork within the frame is a construction, while also valuing the human touch that created it. More than just recognition, it is the fundamental identifier.  In this space, the smudge is not just an artistic signature; it is a map of personal growth. It reveals the traces of our experiences and the impact of our interactions with the world around us. The transparency of glass symbolises the invisible cultural conditions that shape our perspectives, allowing us to see through to the complex realities that influence our creativity and expression. This interplay creates a deeper understanding of both the art and the artist, acknowledging that every mark left behind tells ...
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Head on

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Head on

Locked into a decollation of vision
Somewhere between dystopia and utopia
Of daunting scale and empowered ownership
For the futures of all inhabitants
Especially for those who are unable to prophetize

Through compassion and in hatred, paths are layed
Through rhetoric and within reality gaps, plans are devised
Crossroads are manufactured to include outputs of macabre scenarios
And these vivid horrors repetitively weave throughout our histories
Nothingness as sacred, nothingness as incidental

Our fabricated artilleries are lavished with discord
Of senseless killing and normalized clarification
These roadkills are cleansed though legitimate action
And our carnage is visualised through predictable datasets

Grieve is pushed aside
Knowing that the odds against are in favour
Contained within the numbers
That is digestible
To those in pain, those who ignore and those who can exploit





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