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The Art of the Damned

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  The Art of the Damned The current gallery system functions as a modern dam built right at the headwaters of artistic creation. The headwaters are the raw, bubbling springs high in the mountains—wild, uncontainable, fed by countless small tributaries of individual vision, experimentation, failure, intuition, and obsession. This is where most serious art actually begins: in studios, bedrooms, sketchbooks, late-night arguments, personal crises, and private obsessions, long before any curator or collector ever hears a name. Once a handful of major galleries, institutions, auction houses, and their allied gatekeepers (collectors, critics, fair directors, residency programs) gain decisive influence over those headwaters—deciding which artists get early solo shows, which receive press, which enter the "right" conversations, which are anointed with blue-chip representation—they effectively place the dam. From that point forward: The flow of visibility, legitimacy, money, and audien...
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Simulated Beautiful

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Beautiful requires you to ponder
Beautiful is controversial
Beautiful as described for you

Your understanding of beautiful
Not as you necessarily know it
But how you are trained by others

A collective synthesis
Connected by awe and entertainment
Rooted firmly into rigid definitions and mathematical law
Stamped by credible institutions

And it comes to this
Artist acting as error-inducing and error-correcting agents
Investigating the interest in ourselves
Investigating the recording mechanism
Then the re-run of practice until what was unknown is acceptable







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