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What is the Churn of the Unmade

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  What is the Churn of the Unmade?  Metamodernist art by JJFBbennett It isn’t just paint; it’s the heavy, exhausting gravity of pure affectation. I applied these deep purples and stark whites with a thick palette knife, wanting you to feel the weight of the medium itself—the messy, chaotic over-saturation of our digital lives, the constant noise. It’s dense, tactile, and completely overwhelming. But  The chaos is interrupted by a line of perfect, unyielding geometry. A clear glass ring slicing straight through the noise. This physical ring stands as the initial boundary of awareness. On one side, the suffocating density of raw human expression and digital noise; on the other, a clean, projected window into an idealised, quiet simplicity.  Where does the noise end, and where does our awareness truly begin? The glass ring doesn't just divide the canvas; it bridges two entirely different eras of the soul.  Look to the left. You see that heavy, anxious abstract expr...
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Reform failure & Classrooms

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Reform Failure & Classroom: The Matrix

‘... it is more difficult to find evidence that classrooms have improved or even fundamentally changed as a result of the many reform initiatives; and indeed the persistent failure of educational change is a common theme in the literature (Sarason 1990, Fullan 1993, Cuban 1998, Spillane 1999) (Wallace 2011).




You take the blue pill, the story ends. You stay the same apathetic you
You take the red pill, the story begins. You transform with stimulation


Blue pill: 7 Stages of Change Inertia       Red pill: 7 Stages of Change Behaviour


  1. I don’t know: Ignorance
  2. I don’t want to know: Rejection
  3. I can’t: Inability
  4. It won’t work: Pessimism
  5. It’s too hard: Complication
  6. I couldn’t be bothered: Apathy
  7. I’ll get them back: Undermine


  1. I know I should: Knowledge
  2. I want to: Desire
  3. I can: Skills
  4. It’s worthwhile: Optimism
  5. It’s easy: Facilitation
  6. I’m joining in: Stimulation
  7. Well done: Reinforcement
(Robinson 1998)




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