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The Art of the Damned

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  The Art of the Damned The current gallery system functions as a modern dam built right at the headwaters of artistic creation. The headwaters are the raw, bubbling springs high in the mountains—wild, uncontainable, fed by countless small tributaries of individual vision, experimentation, failure, intuition, and obsession. This is where most serious art actually begins: in studios, bedrooms, sketchbooks, late-night arguments, personal crises, and private obsessions, long before any curator or collector ever hears a name. Once a handful of major galleries, institutions, auction houses, and their allied gatekeepers (collectors, critics, fair directors, residency programs) gain decisive influence over those headwaters—deciding which artists get early solo shows, which receive press, which enter the "right" conversations, which are anointed with blue-chip representation—they effectively place the dam. From that point forward: The flow of visibility, legitimacy, money, and audien...
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Reform failure & Classrooms

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Reform Failure & Classroom: The Matrix

‘... it is more difficult to find evidence that classrooms have improved or even fundamentally changed as a result of the many reform initiatives; and indeed the persistent failure of educational change is a common theme in the literature (Sarason 1990, Fullan 1993, Cuban 1998, Spillane 1999) (Wallace 2011).




You take the blue pill, the story ends. You stay the same apathetic you
You take the red pill, the story begins. You transform with stimulation


Blue pill: 7 Stages of Change Inertia       Red pill: 7 Stages of Change Behaviour


  1. I don’t know: Ignorance
  2. I don’t want to know: Rejection
  3. I can’t: Inability
  4. It won’t work: Pessimism
  5. It’s too hard: Complication
  6. I couldn’t be bothered: Apathy
  7. I’ll get them back: Undermine


  1. I know I should: Knowledge
  2. I want to: Desire
  3. I can: Skills
  4. It’s worthwhile: Optimism
  5. It’s easy: Facilitation
  6. I’m joining in: Stimulation
  7. Well done: Reinforcement
(Robinson 1998)




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