Most recent post

The Ethereal Ascent

-
Image
  The Ethereal Ascent The air in the room is violently still, creating a heavy pressure. She has long stopped looking at the clock, realising that time here is not a sequence but a weight. The waiting room has fractured; the mundane reality of plastic chairs and linoleum flooring splinters into a jagged, stained-glass fever dream. High-pitched frequencies of burning red and sickly blues vibrate as if hardened walls, echoing the frantic noise of a mind that has run out of distractions. Every sharp edge of colour feels like a spiritual siege, a sensory reminder that her momentum has been forcibly halted. There is no use in pacing. There is no use in resisting the authoritative hand of the "in-between." To survive this stall, she must stop fighting the current and become part of the stagnant water. She looks out, as if just awakened, and does the only thing left to recollect. She breathes. She waits. She waits for the shards to align once more. Be Creative and Innovative wit...
Post a Comment

Darwin streets on a motorcycle: James Hird

-

Leadership and the scream of fault.
It seems to go so slow,
Then when it happens, it seems so fast.
Once within,'
Once within a psychological grip,
Once within responsive emergence,
Once within reptilian consciousness.

The scream of fault,
The empathy, the denial, the bloodlet.
Only baggage from this point on.

Where does James Hird find gain?
What responsibilities should I pass onto his burden?
How many opinions should he attend to?
Within this dangerous intersection of loss.

How do leaders gain the necessary abilities to enter and navigate dangerous intersections.
Once the path is enacted on, the configuration of artifacts morph.
The unseen is then seen.

The terms of what I now see are the outputs of Hirds decisions.
I have been altered by Hird's decisions
I now exert my opinion on Hird's decisions.

When does the collective actions stop and reset.
When does normality resume control?
Within a new place
On a new map
within a new landscape.
A new environment of values and expectations.
A new normality

Turn off and reset
your abilities, your achievements and understandings.
A historic cultural statement is to be told.


The intersection is seemingly passive, under the control of purpose.
When error occurs it's a death intersection.

If it is so hard to see danger in this intersection, how is it possible within a point in life.

Popular posts from this blog

My Alien Plasma

-
Image
  My Alien Plasma I made two digital artworks, each with a different approach. The first, Alien Plasma Neo, uses advanced digital editing to show a highly detailed energy being. The second, Plasma Alien, is a gestural painting that focuses on raw emotion. My interest in the 'energy being' theme comes from a lifelong curiosity about forces and life forms beyond what we usually see. I find energies and unseen phenomena fascinating because they represent transformation, vitality, and the mystery at the centre of my creativity. I want to explore how to visually convey inner power and life force, using both digital tools and painting techniques. I like experimenting with different tools to change an artwork. Comparing these two pieces shows how my intent shifts, much as a traditional artist might try out new media and methods. Alien Plasma Neo My first piece, Alien Plasma Neo, was all about hyper-definition and symmetry. I wanted to show this being at its highest energy, even down t...
Read more

The Inhabited Pause

-
Image
  The Inhabited Pause "Waiting is not merely the passage of time; it is an active, often uncomfortable internal labour." In Waiting Room Portrait, I explore the profound tension of maintaining one’s presence within the "in-between." Drawing inspiration from the quiet, heavy resignation in Honoré Daumier’s waiting rooms, this digital watercolour seeks to transform the modern waiting experience from a static period of boredom into a vivid, spiritual practice. The central figure is an anchor of introspection amidst a whirling, chaotic background of light and colour. By utilising thick, expressive brushstrokes, I’ve constructed a pose—hand to chin, face obscured—that captures the weight of self-reflection. While the figure remains grounded on a dark, solid base, the palette of searing magentas and electric purples suggests an internal landscape that is anything but silent. These "loud" colours represent the heat and tension of a mind that is fully engaged with...
Read more

Waiting for inspiration

-
Image
Waiting for inspiration The air in a waiting room carries a specific kind of weight, a density that seems to swallow sound. For centuries, artists have tried to capture this heavy, invisible presence. I think of Honoré Daumier , who portrayed the slumped, weary resignation of third-class travellers. He understood that waiting wasn't just sitting; it was an endurance sport. I see that same heavy air, but my era is electrified. The figure on the left isn't just sitting; they are anchored against a storm of data. Their head is buried in their hands, face half-hidden as if they're trying to crawl inside their own mind to escape the silence. The thick, aggressive slashes of orange and gold overhead resemble a visual scream, capturing that internal chaos where your thoughts race at a hundred miles an hour while your body is stuck in a plastic chair. The green glow on their skin adds a cold, modern tension, making the whole scene feel like a pulse vibrating beneath a still surface...
Read more