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The Art of the Damned

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  The Art of the Damned The current gallery system functions as a modern dam built right at the headwaters of artistic creation. The headwaters are the raw, bubbling springs high in the mountains—wild, uncontainable, fed by countless small tributaries of individual vision, experimentation, failure, intuition, and obsession. This is where most serious art actually begins: in studios, bedrooms, sketchbooks, late-night arguments, personal crises, and private obsessions, long before any curator or collector ever hears a name. Once a handful of major galleries, institutions, auction houses, and their allied gatekeepers (collectors, critics, fair directors, residency programs) gain decisive influence over those headwaters—deciding which artists get early solo shows, which receive press, which enter the "right" conversations, which are anointed with blue-chip representation—they effectively place the dam. From that point forward: The flow of visibility, legitimacy, money, and audien...
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Hiroshima Remember

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Every morning, 
Am I dead?

In this American Hell
Fire rages
Rain is black
Rivers choke with dead children


Unconditional: terms of surrender
Revenge: avenge fallen soldiers
Efficiency: Bring about a swift end
Management: Short window to deploy
Inquisitive: Research into devastation
Criminal: Deployed over hospitals and schools

Demonstrate: A large civilian death toll to assert dominance
Tactical: Keep USSR inline
Showcase: USA supremacy
Instigate: An arms race











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