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The art of authenticity

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  The Struggle for Authenticity in Art I want to speak today about authenticity . And about what we quietly give up to be accepted. We’re told that contemporary political art values autonomy . That artists are free. That inquiry sits at the centre of practice. But autonomy, in reality, is often something we *perform*— not something we’re allowed to exercise. Freedom is celebrated rhetorically, while legitimacy is granted only when work conforms to approved languages , approved theories , approved causes . Autonomy isn’t denied outright. It’s curated. This system doesn’t fail artists by accident. It functions mechanically. It rewards work that aligns with predetermined frameworks and filters out work that doesn’t speak the sanctioned dialect. Many voices are excluded not because they lack skill or meaning, but because they refuse to translate their experience into institutionally legible language. I’m not saying all excluded work is good. I am saying much of it is never heard. And ...
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Hiroshima Decent

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Each decent is comparable
Even if you live a 100 or a 1000 years

The unavoidable fall into worldly affairs
Entangled in its complications
Entangled in its quarrels

There are a number of vantage points
Find them if you can


Hiroshima Lion Dog

The beginning of all things to end
Once a symbol of strength
With the power to repel evil
With real malice and magical power to act

But then the questions
Who guards our guardians
As we guard ourself from ourselves

Until we finally rest in error
And the social contract is disemboweled

As the logistics fall apart
From one misunderstanding to the next









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