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The Art of the Damned

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  The Art of the Damned The current gallery system functions as a modern dam built right at the headwaters of artistic creation. The headwaters are the raw, bubbling springs high in the mountains—wild, uncontainable, fed by countless small tributaries of individual vision, experimentation, failure, intuition, and obsession. This is where most serious art actually begins: in studios, bedrooms, sketchbooks, late-night arguments, personal crises, and private obsessions, long before any curator or collector ever hears a name. Once a handful of major galleries, institutions, auction houses, and their allied gatekeepers (collectors, critics, fair directors, residency programs) gain decisive influence over those headwaters—deciding which artists get early solo shows, which receive press, which enter the "right" conversations, which are anointed with blue-chip representation—they effectively place the dam. From that point forward: The flow of visibility, legitimacy, money, and audien...
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Celeste Cross Road

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Where identity begins and entity ends
What is carried on as duty 
What transcends within the private self
Precision strikes
Targetted warning
Redline agreements
Crossing the line 
Brinkmanship

No logical understanding of which who is in control
The dogma of the personal self
The controls known as duty
When it digs in
When it knows it is a must
When it instated as taking-stand

What truth will be established
What bricks and mortar shall be destroyed
What generations are destined to pain and grief
Trust and manifestation 
Mechanical weapons
Chemical weapons
Bio-organic weapons

Identification of my enemies' monster 
Placating the enemy within
Mechanical mind
Primaeval reckoning   

Surgical
Appropriate
Concise
Planned 
An orderly attack
The legitimate choice of killing
The loss of humanity
Choice of friends





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