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The Puppet Master

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  Puppet Master The narrow, high-walled passage swallowed the sound of my boot scraping a broken cobblestone, the echo sharp in the dry air. Above, a sliver of unforgiving sunlight cut down, carving deep shadows where the damp, mossy scent of the gully was now replaced by the smell of dust and ancient stone. I paused, looking not just at my gloved hand—the leather scuffed from my descent, but at what was attached to it. Thin, nearly invisible lines, like high-tensile wires , stretched from the articulated cuff on my wrist and disappeared into the air above the path. I tracked them with my eyes until they converged on a small, stone figure standing motionless in the centre of the walkway. It was a crude marionette , barely a foot tall, carved from the same pale, cracked stone as the surrounding walls. Dressed in a simple tunic, its blank, oval face held a radiating sense of expectant waiting. Its arms were held out, palms up. I held the strings. Yet, the feeling was not one of cont...

The Old and New Arrives

 


Can the past and future survive the intertwined needs of the present?

As I gazed across the skyline, the city unfolded before me like a tapestry of antiquity and modernity. The skyline as a forest of skyscrapers, each tower reaching towards the heavens, a statement of endless growth, progress and ambition. Below, the roads pulsated with life, a bustling network of energy and motion. Yet, amidst this relentless push towards modernity, there exists the old city where I could sense the city's soul, steeped in its past, struggling with its survival. Old and new ways, ancient superstitions, and the gods of capital growth embraced in a delicate dance to claim the future. The city is ever-evolving and stands as a monument of societal change. Can the past and future survive the intertwined needs of the present?








John Bennett - AKA JJFBbennett, is an independent artist. You can view and subscribe to my work via Blogger, YouTube, Flicker, Facebook, Instagram and Deviant Art

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