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The Art of the Damned

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  The Art of the Damned The current gallery system functions as a modern dam built right at the headwaters of artistic creation. The headwaters are the raw, bubbling springs high in the mountains—wild, uncontainable, fed by countless small tributaries of individual vision, experimentation, failure, intuition, and obsession. This is where most serious art actually begins: in studios, bedrooms, sketchbooks, late-night arguments, personal crises, and private obsessions, long before any curator or collector ever hears a name. Once a handful of major galleries, institutions, auction houses, and their allied gatekeepers (collectors, critics, fair directors, residency programs) gain decisive influence over those headwaters—deciding which artists get early solo shows, which receive press, which enter the "right" conversations, which are anointed with blue-chip representation—they effectively place the dam. From that point forward: The flow of visibility, legitimacy, money, and audien...

The Old and New Arrives

 


Can the past and future survive the intertwined needs of the present?

As I gazed across the skyline, the city unfolded before me like a tapestry of antiquity and modernity. The skyline as a forest of skyscrapers, each tower reaching towards the heavens, a statement of endless growth, progress and ambition. Below, the roads pulsated with life, a bustling network of energy and motion. Yet, amidst this relentless push towards modernity, there exists the old city where I could sense the city's soul, steeped in its past, struggling with its survival. Old and new ways, ancient superstitions, and the gods of capital growth embraced in a delicate dance to claim the future. The city is ever-evolving and stands as a monument of societal change. Can the past and future survive the intertwined needs of the present?








John Bennett - AKA JJFBbennett, is an independent artist. You can view and subscribe to my work via Blogger, YouTube, Flicker, Facebook, Instagram and Deviant Art

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