Modernist art and idealised reality When you look at abstract art, you filter it through your own beliefs and experiences. Your perception turns the artwork into a visual puzzle, shaped by your unique psychological makeup. It is futile to ask what the artist intended, because you inevitably interpret the artwork through the lens of your own life. Bring your own perspectives when approaching modernist abstract art. Modernist artists aspired to a universal, timeless harmony, pursuing the "supremacy of pure feeling." They demanded absolute sincerity, approaching the canvas as an idealised reality. Decades later, the world and art have evolved. Modernist art and idealised reality Looking through the Lens of Belief Your core values and philosophical outlook dictate whether you perceive divine harmony or chaotic randomness in a composition. Many pioneering abstractionists created art inspired by their spiritual beliefs, often expressing the unseen. The artist’s worldview shapes th...
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Q Gallery
Taking Action
The Arrival
Q Street Q STOP
Fortitude Valley Lane with Rabbit
Fortitude Valley End of Lane
The Flood Gate
The Red Flood Gate
Atonement on behalf of himself and all his kindred With pigtail
Sunrise over Story Bridge From God's own country to God's country
The High Rise and the Locked Gate
Rich Art Poor Art
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In 1859 Queen Victoria granted them their own colony
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He returned with soldiers and established a temporary settlement
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They were enticed by the promise of free land grants
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The contributions made towards taming this land for the betterment of society.
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And when the Americans arrived, they had the chocolates, the ice cream, the silk stockings and the dollars.
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Our leaders demonstrated the actions of those who strive to abide by the biblical truths and to subjectively apply known half-truths.
There is a Disparity in My Light: Navigating the Split Creative Consciousness Introduction - Does Metamodernism Oscillate? Clarity, I've learned, doesn't guarantee a smooth landing. While the core recalibration manages our internal mechanics, we eventually have to look back out the window and confront the final destination. For many creators navigating major life transitions or complex technical boundaries, this shift introduces an unsettling inner divide. The anatomy of disparity in creative practice is the psychological friction of a split being—standing physically present in a new space while your internal pace is still trying to catch up with the velocity of your transition. When we widen our creative intent, we often slice our universe in half: balancing cold, geometric clarity on one side against the messy, vibrant residue of personal regret on the other. Rather than forcing these halves to blend, we must learn to treat this exact contrast as our personalised map. Geom...
What is the Disparity Portal? A Metamodernist Commentary by artist JJFBbennett Portrait of a Metamodernist Artist If you stepped through the glass ring, which version of yourself would look back? A metamodernist discussion by artist JJFBbennett. A calm young man with wavy, dark cerulean-blue hair and a subtle smile stands perfectly centred inside a massive glass ring portal. He wears a simple light blue long-sleeved shirt. Behind his head, an intense golden sunburst radiates sharp, blinding rays. To his left are thick purple impasto swirls; to his right is a serene green valley painting. High-detail digital art, metamodern, surreal masterpiece. The Churn of the Unmade Look at the left side of the canvas. It isn’t just paint; it’s the heavy, exhausting gravity of pure affectation. I applied these deep purples and stark whites with a thick palette knife, wanting you to feel the weight of the medium itself—the messy, chaotic over-saturation of our digital lives, the constant noise. I...
Image to be added - watch this space My Psychological Landscape: A Speculative Ecology of the Stratosphere Introduction What is Terrestrial Control? What is Stratospheric Flow? Image to be added - watch this space The transition from the terrestrial to the atmospheric is rarely just a matter of mechanics; it is a profound undoing of the architectural ego. We board our vessels encased in the comforting math of engineering, believing we are merely shifting a physical mass from one geographical coordinate to another. But at a certain altitude, the boundary between the internal theatre of the mind and the external expanse of the world begins to fray. As the metal hull and the quiet murmurs of the cabin dissolve, I am no longer just travelling through the sky; I am becoming a part of it. Stepping directly into the stratosphere, the heavy, churning clouds of deep teals and bruised indigos cease to be merely a reflection of my psychological landscape—they reveal the fluid, boundle...
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