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The Art of the Damned

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  The Art of the Damned The current gallery system functions as a modern dam built right at the headwaters of artistic creation. The headwaters are the raw, bubbling springs high in the mountains—wild, uncontainable, fed by countless small tributaries of individual vision, experimentation, failure, intuition, and obsession. This is where most serious art actually begins: in studios, bedrooms, sketchbooks, late-night arguments, personal crises, and private obsessions, long before any curator or collector ever hears a name. Once a handful of major galleries, institutions, auction houses, and their allied gatekeepers (collectors, critics, fair directors, residency programs) gain decisive influence over those headwaters—deciding which artists get early solo shows, which receive press, which enter the "right" conversations, which are anointed with blue-chip representation—they effectively place the dam. From that point forward: The flow of visibility, legitimacy, money, and audien...
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Celeste Demon Cage

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Sacrificed to celebrate loss
Adoration as the judgement falls
All flaws are exposed
As small and insignificant histories

Where generosity leads demise
Forced, captured and impounded
The ritual once initiated has to be completed
To endure the next cycle
As a lesson learned
To strive from failure
Through strategy of small loss

In time
And in the power of time
Once possessed as property
Reborn and yet returned
You must wait until approved
Until the deception is honoured
Before you can act
before you are human again
To regain your reputation
In adoration of yourself



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