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The Art of the Damned

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  The Art of the Damned The current gallery system functions as a modern dam built right at the headwaters of artistic creation. The headwaters are the raw, bubbling springs high in the mountains—wild, uncontainable, fed by countless small tributaries of individual vision, experimentation, failure, intuition, and obsession. This is where most serious art actually begins: in studios, bedrooms, sketchbooks, late-night arguments, personal crises, and private obsessions, long before any curator or collector ever hears a name. Once a handful of major galleries, institutions, auction houses, and their allied gatekeepers (collectors, critics, fair directors, residency programs) gain decisive influence over those headwaters—deciding which artists get early solo shows, which receive press, which enter the "right" conversations, which are anointed with blue-chip representation—they effectively place the dam. From that point forward: The flow of visibility, legitimacy, money, and audien...

Celeste All Dreams Prelude 1


To see
All her dreams
Her darkened dreams
Her emergence from darkness
In darkness alone and awake

Once we were gods
Reflecting in the mirrors of imaginary time
A warrior woman to protect us
Of angelic intent

Knowing of past tears and flame
A woman of the cross
Grieving in choice and loss

Her persona
Her persona observed
By three faces
Whom who sees all ocean waves











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