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The Metamodern Smudge: Seeing Growth on the Frame

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  The Metamodern Smudge: Seeing Growth on the Frame My use of the phrase "Fingerprint on the frame" functions as a metamodernist artifact. From my perspective, metamodernism oscillates between modernist sincerity and postmodern irony, and this concept sits precisely at that intersection. It recognises that the artwork within the frame is a construction, while also valuing the human touch that created it. More than just recognition, it is the fundamental identifier.  In this space, the smudge is not just an artistic signature; it is a map of personal growth. It reveals the traces of our experiences and the impact of our interactions with the world around us. The transparency of glass symbolises the invisible cultural conditions that shape our perspectives, allowing us to see through to the complex realities that influence our creativity and expression. This interplay creates a deeper understanding of both the art and the artist, acknowledging that every mark left behind tells ...
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The Poowong series

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Poowong series AgitatedPoowong series Big CityPoowong series CrusadePoowong series Falling ProgressPoowong series Grab snatchPoowong series Hospitalised
Poowong series I am wastePoowong series IndustrialbatePoowong series Industrial mightPoowong series lovePoowong series man with sticksPoowong series Route into night
Poowong series Veils and Belief

Poowong series, a set on Flickr.
I painted the Poowong series in the 1980's. The paintings have been destroyed but the photo's survive. The theme was based on organic and mental structures, complex problems and simple solutions. Poowong is a small town in SE Gippsland Victoria. Land of dairy cattle and potatoes.

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