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The Metamodern Smudge: Seeing Growth on the Frame

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  The Metamodern Smudge: Seeing Growth on the Frame My use of the phrase "Fingerprint on the frame" functions as a metamodernist artifact. From my perspective, metamodernism oscillates between modernist sincerity and postmodern irony, and this concept sits precisely at that intersection. It recognises that the artwork within the frame is a construction, while also valuing the human touch that created it. More than just recognition, it is the fundamental identifier.  In this space, the smudge is not just an artistic signature; it is a map of personal growth. It reveals the traces of our experiences and the impact of our interactions with the world around us. The transparency of glass symbolises the invisible cultural conditions that shape our perspectives, allowing us to see through to the complex realities that influence our creativity and expression. This interplay creates a deeper understanding of both the art and the artist, acknowledging that every mark left behind tells ...
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Multimodal SLIM challenge

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School Leaders in the Making Program



 Challenge Title: 21st Century Multimodal Learning

Purpose: Today’s students are the 21st century students whose lifetime experiences are enriched with using digital technologies. They need to develop 21st century skills to become the valued skilled workers, entrepreneurs, innovators and global citizens of tomorrow
The Department is working to meet the needs of the 21st century student through the provision of a rigorous curriculum, technologies of today and expert teachers inspiring learning with passion and purpose
This project is purposed to;
  • introduce innovative technologies into schools,
  • change teaching practices,
  • align with the Australian Curriculum, and
  • inspire learning.

Benefits: The benefits to teachers and students should;
  • ensure that the selected technologies will meet the demands of the curriculum,
  • employ technologies which are accessible in daily life, and
  • gain digital fluency skills.







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