It is raining in Taipei (A Jazz Ballad for a Warm Rainy Day) Left my umbrella folded, didn’t care Stepped into a street that shimmered everywhere Neon bleeding red and green Where the wet world makes a mirror of everything Some dressed in a ghost-white cape Life slips on by—no honk, no haste Just the rhythm on the awning And the smell of Taipei in the rain Oh, rain on the asphalt, warm and slow Where the city leans in soft and low No place to go, nowhere to be Just the rain, just the rain, just the rain and me And when I dry off and turn the key I won’t remember what I saw, you see I’ll remember how I slowed enough to feel That surrender is the only thing that’s real Shhh… just the rain… Mmm, just the rain. Yeah. Be Creative and Innovative with Knowledge John Bennett - AKA JJFBbennett , is an independent artist. You can view and subscribe to my work via Blogger , YouTube , Flicker , Facebook , Instagram and Deviant Art . Subscribe to JJFBbennett's private ...
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A Blue Future
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A Blue Future
Melbourne City comes alive under the night sky, with its streets illuminated by artificial lights. The bridge and glowing buildings cut through the darkness, reaching toward a horizon that offers more of the same. Cars move slowly along the roads, each one a small, isolated world heading to unknown destinations. The city, a symbol of human achievement, buzzes with activity yet remains unaware of the silent voices of the individuals it shelters. Each light in every window tells a story of a life being lived, but from a distance, they merge into a pattern of light and shadow. The scene's beauty, with its twinkling lights and lively energy, is undeniable. Still, it is a cold, distant beauty, reminding us of the vast unknown lurking beneath our constructed realities. Faced with such immensity, one can only embrace the absurdity, find comfort in the struggle, and continue the Sisyphean task of pushing the enormity of life to new heights.
A Blue Future Video
Melbourne City comes alive under the night sky with illuminated streets, bridges, and buildings. Cars move slowly, each one heading to unknown destinations. The city buzzes with activity yet remains unaware of the individuals it shelters. Each light in every window tells a story of a life being lived, but from a distance, they merge into a pattern of light and shadow. The scene's beauty is undeniably a reminder of the vast unknown lurking beneath our constructed realities.
This artwork is protected by U.S. and International copyright laws. Distribution and/or modification of the artwork without written permission of the sponsor is prohibited.
The Toxic Weight of Waiting The atmosphere has thickened. What was once a room defined by walls and chairs has dissolved into a toxic haze, an environmental manifestation of a mind under siege. She no longer sits; she kneels, anchored to the floor by an invisible gravity. Above her, the "toxic air" takes shape as a looming, jagged shadow infused with high-velocity greens and burning volcanic reds. It feels less like smoke and more like a predator, a towering silhouette of anxiety that has finally outgrown the space. The colours vibrate with a sickly, chemical heat, turning the very oxygen into something thick and sharp. In this room, the silence has become deafeningly loud. The fractured light from the previous moment has bled together, creating a suffocating shroud that blurs the line between the physical world and an internal fever dream. The momentum hasn't just stalled; it has been swallowed. She has diminished, huddled in the eye of this psychic storm, a solitary ...
The Ethereal Ascent The air in the room is violently still, creating a heavy pressure. She has long stopped looking at the clock, realising that time here is not a sequence but a weight. The waiting room has fractured; the mundane reality of plastic chairs and linoleum flooring splinters into a jagged, stained-glass fever dream. High-pitched frequencies of burning red and sickly blues vibrate as if hardened walls, echoing the frantic noise of a mind that has run out of distractions. Every sharp edge of colour feels like a spiritual siege, a sensory reminder that her momentum has been forcibly halted. There is no use in pacing. There is no use in resisting the authoritative hand of the "in-between." To survive this stall, she must stop fighting the current and become part of the stagnant water. She looks out, as if just awakened, and does the only thing left to recollect. She breathes. She waits. She waits for the shards to align once more. Be Creative and Innovative wit...
Waiting for Azrael The air in the room doesn't move; it simply presses She has long since stopped looking at the clock, realising that time here isn't a sequence, but a weight. The waiting room has fractured, the mundane reality of plastic chairs and linoleum tiling splintering into a jagged, stained-glass fever dream . High-pitched frequencies of burning red and sickly yellow vibrate against the walls, echoing the frantic noise of a mind that has run out of distractions. She pulls her legs inward and forms a tight knot, dressed in indigo and bruised purple. She tries to find a purpose in her world that refuses to stand still. Every sharp edge of colour feels like a spiritual siege , a sensory reminder that her momentum has been forcibly halted. There is no use in pacing. There is no use in resisting the authoritative hand of the "in-between." To survive this stall, she must stop fighting the current and become part of the stagnant water. She buries her face, lets t...
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