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The Art of the Damned

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  The Art of the Damned The current gallery system functions as a modern dam built right at the headwaters of artistic creation. The headwaters are the raw, bubbling springs high in the mountains—wild, uncontainable, fed by countless small tributaries of individual vision, experimentation, failure, intuition, and obsession. This is where most serious art actually begins: in studios, bedrooms, sketchbooks, late-night arguments, personal crises, and private obsessions, long before any curator or collector ever hears a name. Once a handful of major galleries, institutions, auction houses, and their allied gatekeepers (collectors, critics, fair directors, residency programs) gain decisive influence over those headwaters—deciding which artists get early solo shows, which receive press, which enter the "right" conversations, which are anointed with blue-chip representation—they effectively place the dam. From that point forward: The flow of visibility, legitimacy, money, and audien...

Photo Darwin Dinghy






I placed all of my meanings into the departure
But I realised that a dinghy was not sufficient
So I place all effort into wealth creation
Which soon turned into job satisfaction
Which became and is now a work-life in-balance
And that in there is the simplicity of my dilemma

Will I regret not taking the next step forward
A step forward where my dedication is in making a difference
Where I can say I made a decision to make things better
Or a step forward where my dedication is in making self-sense
Where I can lose myself within meaning

I tow my dinghy for this reason
For I may have a change of heart
Else, should a tragedy force a course of action
Gasping, trying, enduring
In the hope that it is the essential me which cannot be reconciled
In self
or
In service



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