The Metamodern Smudge: Seeing Growth on the Frame My use of the phrase "Fingerprint on the frame" functions as a metamodernist artifact. From my perspective, metamodernism oscillates between modernist sincerity and postmodern irony, and this concept sits precisely at that intersection. It recognises that the artwork within the frame is a construction, while also valuing the human touch that created it. More than just recognition, it is the fundamental identifier. In this space, the smudge is not just an artistic signature; it is a map of personal growth. It reveals the traces of our experiences and the impact of our interactions with the world around us. The transparency of glass symbolises the invisible cultural conditions that shape our perspectives, allowing us to see through to the complex realities that influence our creativity and expression. This interplay creates a deeper understanding of both the art and the artist, acknowledging that every mark left behind tells ...
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Strategy and Culture
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Culture eats strategy
Culturecan be identified in a business unit's artifacts:
vision,
norms,
symbols,
beliefs,
behaviors, and
traditions.
Strategy- successful strategies need supportive cultures.
Issue
Q: How does a business unit get the best out of strategy in periods of uncertainty and structural change. (How do you get buy-in to achieve what needs to be achieved?)
What artifacts actively attracts people to use our services?
What artifacts actively discourage success?
Immediate culture questions
Vision and Mission
how is the vision made evident throughout all of our activities?
is the vision and mission persuasive?
Collaboration
how do our projects cross support and benefit each other?
Education
how do project leaders co-educate each other and what artifacts demonstrates a culture of co-learning?
Is our unit a skilled team or a unit of skilled individuals?
Recognition
how are achievements (both small and large) celebrated?
Traditions
how adaptable is our business unit to change?
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Belief Strategy Clients
Business units who are charged with innovation, change of practice and emergence must contend with many complex cultural artifacts across many sites. This includes working with other business units, divisions and (in the case of education) school sites. It is important to have a persuasive business culture and a belief in our services, if we are to influence other site cultures.
Purpose and Belief:
Simon Sinek: How great leaders inspire action through purpose (read more).
People don't buy what you do, they buy why you do it
Inspire by Why then How then What
Have a Purpose and have a Belief in your purpose
Have a strategy and plan.
Have explicit results.
Believe in what you want your clients to believe in.
There is a Disparity in My Light: Navigating the Split Creative Consciousness Introduction - Does Metamodernism Oscillate? Clarity, I've learned, doesn't guarantee a smooth landing. While the core recalibration manages our internal mechanics, we eventually have to look back out the window and confront the final destination. For many creators navigating major life transitions or complex technical boundaries, this shift introduces an unsettling inner divide. The anatomy of disparity in creative practice is the psychological friction of a split being—standing physically present in a new space while your internal pace is still trying to catch up with the velocity of your transition. When we widen our creative intent, we often slice our universe in half: balancing cold, geometric clarity on one side against the messy, vibrant residue of personal regret on the other. Rather than forcing these halves to blend, we must learn to treat this exact contrast as our personalised map. Geom...
What is the Disparity Portal? A Metamodernist Commentary by artist JJFBbennett Portrait of a Metamodernist Artist If you stepped through the glass ring, which version of yourself would look back? A metamodernist discussion by artist JJFBbennett. A calm young man with wavy, dark cerulean-blue hair and a subtle smile stands perfectly centred inside a massive glass ring portal. He wears a simple light blue long-sleeved shirt. Behind his head, an intense golden sunburst radiates sharp, blinding rays. To his left are thick purple impasto swirls; to his right is a serene green valley painting. High-detail digital art, metamodern, surreal masterpiece. The Churn of the Unmade Look at the left side of the canvas. It isn’t just paint; it’s the heavy, exhausting gravity of pure affectation. I applied these deep purples and stark whites with a thick palette knife, wanting you to feel the weight of the medium itself—the messy, chaotic over-saturation of our digital lives, the constant noise. I...
Image to be added - watch this space My Psychological Landscape: A Speculative Ecology of the Stratosphere Introduction What is Terrestrial Control? What is Stratospheric Flow? Image to be added - watch this space The transition from the terrestrial to the atmospheric is rarely just a matter of mechanics; it is a profound undoing of the architectural ego. We board our vessels encased in the comforting math of engineering, believing we are merely shifting a physical mass from one geographical coordinate to another. But at a certain altitude, the boundary between the internal theatre of the mind and the external expanse of the world begins to fray. As the metal hull and the quiet murmurs of the cabin dissolve, I am no longer just travelling through the sky; I am becoming a part of it. Stepping directly into the stratosphere, the heavy, churning clouds of deep teals and bruised indigos cease to be merely a reflection of my psychological landscape—they reveal the fluid, boundle...
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