WHAT CAN MAKE UP FOR LACK OF TALENT Does art derive its validity from the skill of the creator's hand, or from the cultural scaffolding that forces our conscious spotlight onto the object? This gallery space has thrown down a direct challenge. Dominating the centre wall, glowing in bright white neon above the shattered glass and the Campbell's Soup Can, is a raw, uncomfortable question: "WHAT CAN MAKE UP FOR LACK OF TALENT?" This neon sign acts as the ultimate cognitive mirror, forcing us to reconcile the two extremes hanging on either side of the gallery. The Postmodern Answer: Frame and Hype Look at the soup can sitting in the spotlight. Postmodernism, driven by Andy Warhol and Pop Art, gave a cynical, revolutionary answer to this neon question: Context, branding, and institutional framing make up for a lack of talent. Postmodernism declared that you don't need the masterly brushwork of the Renaissance or the sublime emotional intensity of Mark Rothko. An art...
Jonus: scene 1 slide 1
Jonus works in an office. He has worked in this office for 20 years. He wants more but he doesn't know how to get more. Jonus feels anxious and threatened.
Jonus: scene 1 slide 2
Jonus would dwell on detail. The detail would observe him. For hours Jonus would stare and ponder. Stance could feel the coldness. It worried her. It took her concentration. She new things were visualizing and as they appeared to become real Jonus looked more and more dangerous. Jonus was now disappearing into himself daily. Stance could hear water, feel heat and feel weight. She knew it was anxiety. She had to take action.
Jonus: scene 1 slide 3
Into his mind did Jonus leap. His rock was safe. The river flowed strong. The flames were growing. Impending doom. Impending fear. Anxiety glassed his lungs. There was nothing to do but fall. The time is now. It was to happen. Jonus was lost from control. He needed to sleep. As long as the river flowed he could sleep. Sleep Jonus demanded of himself.
Jonus: scene 1 slide 4
Get out of my head. I want you out of my head. Sure you want to belong but I do not feel safe. There is some beauty in this fear but I still want you out of my head.
Jonus: scene 1 slide 5
Jonus felt the heat of each flame. He rested for a moment and perched within contemplation he waited for something to happen. And happening did pass him by. Jonus couldn't tell if it was an angle, spirit or memory but it knew him. In a fleeting moment the happening reflected a transcendental understanding. “You will be confronted and you will become frustrated, angry and full of hate. It will happen and you will gain control through revenge. In a short moment you will understand me and through misadventure become me.” Jonus understood a contract was made but couldn't be sure consent occurred. Motionless Jonus contemplate fate and reflected on his many missed opportunities.
Jonus and the 3 sisters
Jonus: scene 1 slide 6
And then the three sisters motioned towards Jonus. They were beautiful in threat, size and power. Veiled with petals of flame their beauty radiated. Jonus was in want. Wake up Jonus the sisters giggled. You have much to do. Your journey to enlightenment is to begin. We have waited so long for you to be with us.
The Metamodern Smudge: Seeing Growth on the Frame My use of the phrase "Fingerprint on the frame" functions as a metamodernist artifact. From my perspective, metamodernism oscillates between modernist sincerity and postmodern irony, and this concept sits precisely at that intersection. It recognises that the artwork within the frame is a construction, while also valuing the human touch that created it. More than just recognition, it is the fundamental identifier. In this space, the smudge is not just an artistic signature; it is a map of personal growth. It reveals the traces of our experiences and the impact of our interactions with the world around us. The transparency of glass symbolises the invisible cultural conditions that shape our perspectives, allowing us to see through to the complex realities that influence our creativity and expression. This interplay creates a deeper understanding of both the art and the artist, acknowledging that every mark left behind tells ...
What is the Churn of the Unmade? Metamodernist art by JJFBbennett It isn’t just paint; it’s the heavy, exhausting gravity of pure affectation. I applied these deep purples and stark whites with a thick palette knife, wanting you to feel the weight of the medium itself—the messy, chaotic over-saturation of our digital lives, the constant noise. It’s dense, tactile, and completely overwhelming. But The chaos is interrupted by a line of perfect, unyielding geometry. A clear glass ring slicing straight through the noise. This physical ring stands as the initial boundary of awareness. On one side, the suffocating density of raw human expression and digital noise; on the other, a clean, projected window into an idealised, quiet simplicity. Where does the noise end, and where does our awareness truly begin? The glass ring doesn't just divide the canvas; it bridges two entirely different eras of the soul. Look to the left. You see that heavy, anxious abstract expr...
When Atoms Reach for Sacred Altars What do you feel when you touch something sacred? Do you want to touch sacred art? Are we creatures bound by thermodynamics, driven by an instinctual urge to exchange heat, shed skin cells, and mingle our matter with the monuments we revere? To stand before a sacred masterpiece is to experience a gravitational pull—an irresistible desire to collapse the space between subject and object, to leave an oily fingerprint as proof of shared existence. The gallery border is a social construct attempting to enforce absolute vacuum, forbidding the inevitable entropy of human connection. To reach out anyway is to assert that our physical reality is not separate from the sublime, but bound to it by the very matter we carry on our fingertips. Reaching across that barrier is a quiet rebellion against social decorum: a desperate want for quantum entanglement that collapses the boundary between ideal beauty and our messy, lived reality. Be Creative a...
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