Our Flame will never be Extinguished The chosen elite who entered the rotting, worm-eaten confessional to seize the primrose were never saviours sent to bring lasting peace or settled order. That was merely vanity blazoned across their heraldry. In truth, they were the indispensable stewards of the loop, anointed not to break the wheel, but to ensure its teeth kept grinding. They took the pale, delicate bloom, the Acclimatisation Society’s consecrated symbol of subjugation, fully aware that planting it within the unyielding ironstone would provoke the very friction keeping the world aflame. They required the transgression; they needed the spark. For the empire does not endure by resting in triumph, but feeds upon the perpetual, exhausting struggle of its own unfinished conquest. As rebels swarm the grand, baroque plazas and consume the cathedral of yesterday, they believe they are dismantling their oppressors' fortress. Raising torches, they watch ancient spires dissolve into a t...
Jonus: scene 1 slide 1
Jonus works in an office. He has worked in this office for 20 years. He wants more but he doesn't know how to get more. Jonus feels anxious and threatened.
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Jonus would dwell on detail. The detail would observe him. For hours Jonus would stare and ponder. Stance could feel the coldness. It worried her. It took her concentration. She new things were visualizing and as they appeared to become real Jonus looked more and more dangerous. Jonus was now disappearing into himself daily. Stance could hear water, feel heat and feel weight. She knew it was anxiety. She had to take action.
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Into his mind did Jonus leap. His rock was safe. The river flowed strong. The flames were growing. Impending doom. Impending fear. Anxiety glassed his lungs. There was nothing to do but fall. The time is now. It was to happen. Jonus was lost from control. He needed to sleep. As long as the river flowed he could sleep. Sleep Jonus demanded of himself.
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Get out of my head. I want you out of my head. Sure you want to belong but I do not feel safe. There is some beauty in this fear but I still want you out of my head.
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Jonus felt the heat of each flame. He rested for a moment and perched within contemplation he waited for something to happen. And happening did pass him by. Jonus couldn't tell if it was an angle, spirit or memory but it knew him. In a fleeting moment the happening reflected a transcendental understanding. “You will be confronted and you will become frustrated, angry and full of hate. It will happen and you will gain control through revenge. In a short moment you will understand me and through misadventure become me.” Jonus understood a contract was made but couldn't be sure consent occurred. Motionless Jonus contemplate fate and reflected on his many missed opportunities.
Jonus and the 3 sisters
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And then the three sisters motioned towards Jonus. They were beautiful in threat, size and power. Veiled with petals of flame their beauty radiated. Jonus was in want. Wake up Jonus the sisters giggled. You have much to do. Your journey to enlightenment is to begin. We have waited so long for you to be with us.
AI ART and Meaning What role does an artist play when employing AI? Artist statement by JJFBbennett If we accept that AI can generate vast quantities of statistically “meaningful” content from data and algorithms, then meaningful art may lie not in the output itself, but in its selection and framing. AI functions as a kind of unconscious, producing raw material at scale. The artist’s role shifts from maker to curator: deciding what to extract from the data’s noise, what to present as art, the context in which it appears, and the conversation it enters. The artist as the muddler and meddler in the centre of it all. This shift has an art-historical precedent. In 1917, Marcel Duchamp’s *Fountain* made a decisive claim: the artist had not sculpted the urinal but selected it, titled it, and placed it in a gallery. Meaning arose from the gesture of choice rather than the act of making. Walter Benjamin, too, anticipated this logic in his reflections on montage and editing: meaning can e...
Empire of the Primrose poem The city fell in a single night. Holding it would take longer. So the painters were summoned, and the saints on the walls were given his family's eyes. A bloodline was found for him, older than the walls, older than the kings who raised them. Now even the earth must forget it ever belonged to anyone else. The Empire of the Primrose - Station 1 Do you have recurring dreams? Travel Sketches by metamodernist artist JJFBbennett The cycle always resets at dusk, like waking inside the cold architecture of an unyielding, repetitive dream. I walk the wet, cobbled veins of an ancient European city, passing beneath stone arches hung with heavy, lifeless flags, heraldry drained of colour, damp cloth clinging to wooden poles like dead skin. There is no breath of wind, only the low, humming pressure of an era turning in its sleep. I reach into an iron sconce and tear loose a torch of roaring, ragged fire. The flame casts jittering amber shad...
The Territory of the Little People - Storm Clouds Approaching The atmosphere over Pine Creek churns before it breaks. The sky stops being a distant ceiling, and tears open into a fevered, gestural vortex, churning in fierce ribbons of cadmium gold, raw ember, and bruised ink. Here, in the suffocating stillness of the build-up, the heat plays violent tricks on my inner eye. As the squall gathers, the twisting ironwoods and fractured ridges don't feel empty; they crawl with the uncanny belief of the Little People, low-slung, watchful phantoms spun from wire, red dust, and dry static, waiting out the road's fragility. Every jagged branch and swirling filament of cloud becomes a face, an arm, a sinister presence breathing inside the rising storm, drawing the traveller deeper into the delirium of the interior. Pine Creek Storm Front Torn black filaments of wind and shadow seemed to claw straight out of the atmosphere, dripping down like hot tar, twisting through the spindly ironwo...
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