The Art of the Damned The current gallery system functions as a modern dam built right at the headwaters of artistic creation. The headwaters are the raw, bubbling springs high in the mountains—wild, uncontainable, fed by countless small tributaries of individual vision, experimentation, failure, intuition, and obsession. This is where most serious art actually begins: in studios, bedrooms, sketchbooks, late-night arguments, personal crises, and private obsessions, long before any curator or collector ever hears a name. Once a handful of major galleries, institutions, auction houses, and their allied gatekeepers (collectors, critics, fair directors, residency programs) gain decisive influence over those headwaters—deciding which artists get early solo shows, which receive press, which enter the "right" conversations, which are anointed with blue-chip representation—they effectively place the dam. From that point forward: The flow of visibility, legitimacy, money, and audien...
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Gotta Assassinate Dungeon
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The Room is a Dungeon
I woke up to the punishment of cramping cold. My bed is dirty, and I have been feasted on by pests and rodents. Realizing my nakedness and no blanket to cover up, I feel vulnerable. My immediate thought is: who has captured me?
I quickly scan the room. No window. No dunny. No nothing. Just a solitary light, behind its wire cage, simultaneously emitting and trapping a spectrum of transformative light.
I try to account for my lost time. Without any means of measurement, I must endure until an opportunity presents itself. This is a temporal experience.
I focus on apprehending my fears as a single event in time. I must trust my perceptions to escape.
The roof and walls are cold. I experience the architect’s subliminal message. I know his place. It is I who dwell inside of his fear. What shall be done must be done. This revolving state cannot withstand my driving force.
When my rotation is complete, four lives will enter into my cell of death. The medieval studded door is the weakness of this fortress. This door will open. I will my escape.
This Fortress
This Door
This Weakness
My mind is somewhere between fight and flight, as I search into the horizon for my future self.
I’m standing within a grid, a translucence matrix of blood-red that alters with every iteration of thought. Each stain tells a story of pain and torture. I know I must fight then flee, and my darkness within is the path I must take.
Transverse Fight then Flight
I am contained within this inverted panopticon. My consciousness is hidden behind a societal parable. For centuries I have been receptively owned. Now casted into an actual person I must respond. I am not the sacrifice. I am the weapon. The architect has left subliminal messages. They are imprinted into the wall. They are ineligible to the literal. I just know. My only knowledge is to fight then flight and call on the darkness of within to escape this gridlock.
Transverse Fight then Flight video
Transverse Wakes up in a Cage
Wake up in a cage Apprehend your fear Unshackle your memory
Scene 1 In the cradle of copper veins, where the first byte flickered like a eucalyptus firefly against the millennial dusk of 2000, threads uncoiled—raw and unbidden, a post-punk snarl weaving through the static hum of dial-up dreams. Imagine the snare drum's ghost-crack echoing off Uluru's red flanks , not as a conquest but as a lover's bruise, blooming violet under star-pricked skin. Here, rebellion wasn't a fist raised in Canberra's marbled halls but a glitch in the grid . A Laughing Clowns howl warping the airwaves, sonic annotation—jagged guitar riffs splintering into didgeridoo drones , fading to the hiss of cooling circuits. The wire remembers: a young voice, pixels pulsing with the fury of forgotten tapes, cassette ribbons unravelling like the Murray-Darling 's parched secrets, whispering of bans that bind not bodies but bytes, burqas woven into neural lace, veils pleading for the light they obscure. Be Creative and Innovative with Knowledge Jo...
The Twelve Loops of Goodbye The fluid rises. The cryo-hiss is deafening. And then... the program starts. Twelve times. The system cycles, and twelve times I see you. It starts the same. The image freezes in the dark. It’s you, BK. Or... It’s your idea. You’re wearing the rig. The goggles are locked on me. I try to say your name, but my mouth is filled with ice. I love you. God, I love you. But you don’t blink. The Neural Glitch . Something is wrong. The memory corrupts. I see " corrupted code " trying to stabilise across your face. Your eyes... behind the lenses... they twitch. Microscopically. Are you hurting? Or is that my pain rippling through the connection? A low-frequency pulse warps your skin. You look like a stranger. You look like the machine. The Shuddering Breath . This is the one that breaks me. Total stillness. Then... a faint mist forms at your mouth. Condensation beads on the goggles. I scream at you to breathe! Just breathe! But it’s slow. Irregular. It’s a ...
The Ayes Have It (But She Don't) Everybody knows the bill is dead Everybody knows the Senate’s red Everybody knows the deal is done The major parties had their fun The crossbench bargains were all just show The whips have cracked, the whistle’s blowed That’s how it goes And Hanson always votes no. Everybody knows the bells are ringing Everybody knows the mud they’re slinging Everybody knows the clerk can’t count With all the grievances they mount Everybody knows that the motion’s lost Everybody knows what the lobby cost The Ayes go high, the chamber’s low And Hanson always votes no. And everybody knows that it’s now or never Everybody knows that it’s gonna take forever Everybody knows that the act is rotten Old amendments best forgotten Everybody knows the tellers move With nothing left for them to prove The red room puts on quite a show But Hanson always votes no. Everybody knows the maiden speech The lessons that she tried to teach About the fish and about the chips And the tig...
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