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The Art of the Damned

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  The Art of the Damned The current gallery system functions as a modern dam built right at the headwaters of artistic creation. The headwaters are the raw, bubbling springs high in the mountains—wild, uncontainable, fed by countless small tributaries of individual vision, experimentation, failure, intuition, and obsession. This is where most serious art actually begins: in studios, bedrooms, sketchbooks, late-night arguments, personal crises, and private obsessions, long before any curator or collector ever hears a name. Once a handful of major galleries, institutions, auction houses, and their allied gatekeepers (collectors, critics, fair directors, residency programs) gain decisive influence over those headwaters—deciding which artists get early solo shows, which receive press, which enter the "right" conversations, which are anointed with blue-chip representation—they effectively place the dam. From that point forward: The flow of visibility, legitimacy, money, and audien...
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Ned Kelly State Dome

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Lyre Bird

Darth and Prowl


Ned Kelly Death Mask


State Dome



Ned Kelly State Dome

Venerated and preserved
In the house of the proper 
Maintaining academic distance
Sanitized discordance 

New Gods 
Man Gods 
Ancient Gods
Non-conformist solutions to address new problems

Confined by experience
Confirmed by previous learning

Our habits 
Our routine
Our prison









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