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The Art of the Damned

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  The Art of the Damned The current gallery system functions as a modern dam built right at the headwaters of artistic creation. The headwaters are the raw, bubbling springs high in the mountains—wild, uncontainable, fed by countless small tributaries of individual vision, experimentation, failure, intuition, and obsession. This is where most serious art actually begins: in studios, bedrooms, sketchbooks, late-night arguments, personal crises, and private obsessions, long before any curator or collector ever hears a name. Once a handful of major galleries, institutions, auction houses, and their allied gatekeepers (collectors, critics, fair directors, residency programs) gain decisive influence over those headwaters—deciding which artists get early solo shows, which receive press, which enter the "right" conversations, which are anointed with blue-chip representation—they effectively place the dam. From that point forward: The flow of visibility, legitimacy, money, and audien...
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Intelligent Systems Observer

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Share a moment with me as this night falls
There is no happy ever after,  just don't buy into it
Media repetition is controlling your normalization
Consumption and fearing
Your once chance has become a placement within a detention center
And in this confined space you are incited to consume and fear
Where in debt to charity you have no choice to walk away
An accepted loss of ownership claimed by proprietary voice
Belief has been organized
To profit from disenchantment
To dis-empower collective disbelief

Don't let your children follow you
A dead-end concludes this dead path
Profit follows you like a Komodo dragon
It follows your foul scent when excreted through loss of expectation
As you throw out virtue to make space to amass junk
The bite will force a question
Amputation or Death
But only you can recognize choice
As alone a decision can be acted






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